Brain Damage - Gimmie That Thang Africa From The Zulu Nation

fatimapsicologa

Review by Maria de Fátima Araujo Martins

Gimmie That Thang Africa From The Zulu Nation – A Bass-Fueled Punch to the Gut Alright, let’s cut the crap. This 1991 banger from Brain Damage ain’t your grandma’s record collection. It’s raw, in-your-face bass music with enough grit to scrape paint off a wall. Released on Hot Records (because "lukewarm" wasn’t an option), this album hits hard where it counts: right between the ears and straight into your chest cavity. Genre-wise? Yeah, it's electronic and hip-hop, but don’t box it up too tight—this thing breathes fire. Now, I’m not here to jabber about every track because who’s got time for that? Let’s zoom in on two cuts that’ll leave you reeling: “Gimmie That Thang” and “Africa From The Zulu Nation.” First up, “Gimmie That Thang.” Holy hell, this joint slaps like a pissed-off bear. The bassline is so thick you could spread it on toast. Danny D produced this beast, and you can tell he didn’t show up to play nice. There’s something primal about how the beat locks onto your spine and refuses to let go. Like yeah, you think you’re dancing, but nah, bro—it’s more like convulsing. And those scratches? Damn near surgical precision. Whoever said 1991 was all flannel shirts and grunge clearly missed this heavyweight knockout. Then there’s “Africa From The Zulu Nation,” which flips the script entirely. This one’s got soul, man. Not the kind you sip on Sunday mornings with pancakes; I’m talking ancestral vibes that hit you like a freight train of identity and rhythm. Written by D. Spohn and M. Jeter, it’s got layers—like peeling back history itself. The drums are tribal but laced with futuristic synths that make you question what decade you’re even living in. You feel connected—to Africa, to the streets, maybe even to aliens if you’ve had enough coffee. Point is, it sticks. Long after the needle lifts, you’re still vibin’. Mixing creds go to B. Greenspan, and props where they’re due—he kept the chaos under control without neutering its edge. Same shoutout to M. Marro for recording this madness. These cats knew exactly how to bottle lightning without blowing themselves up. So what’s my take? Gimmie That Thang Africa From The Zulu Nation isn’t perfect—it doesn’t need to be. What it does do is punch through mediocrity with zero apologies. It’s loud, messy, unapologetically bold, and honestly? That’s why it works. And hey, here’s the kicker: listening to this feels like finding an old VHS tape at a garage sale. Sure, it’s dusty and kinda scratched, but once you press play, you realize you’ve stumbled onto something way cooler than whatever’s trending today. Go figure.

Download Brain Damage - Gimmie That Thang Africa From The Zulu Nation
Artist: Brain Damage
Album: Gimmie That Thang Africa From The Zulu Nation
Rating: 4.75

Table of Contents

Download

Filename: brain-damage-gimmie-that-thang-africa-from-the-zulu-nation.zip
  • MP3 size: 8.4 mb
  • FLAC size: 102 mb

Tracks

TrackDurationPreview
Africa From The Zulu Nation4:00
Gimmie That Thang3:50

Images

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Catalog Numbers

HAL 12210

Labels

Hot Records

Listen online

  • lytte på nettet
  • écouter en ligne
  • online anhören
  • ouvir online
  • online luisteren
  • lyssna på nätet
  • escuchar en línea
  • ascolta in linea
  • kuunnella verkossa

Formats

  • Vinyl
  • 12"
  • 33 ⅓ RPM
  • Silver Label

Companies

RoleCompany
Distributed ByHot Productions, INC.
Marketed ByHot Productions, INC.
Published ByHenstone Publishing, Inc.

Credits

RoleCredit
Mixed ByB. Greenspan
ProducerDanny D
Recorded ByM. Marro
Written-ByD. Spohn, M. Jeter

Notes

  • • From LP, CAS & CD 3334 •
  • ℗ 1991 Hot Records

Barcodes

Barcode: 05399312101

Interesting fact about Album

Here’s something cool: The album *Gimmie That Thang Africa From The Zulu Nation* by Brain Damage blends electronic beats with hip-hop vibes, dropping in 1991. It’s a bass-heavy project that feels like a time capsule from the US music scene back then. Fun fact—two tracks make up the whole album, and it was recorded by M. Marro, with mixing handled by B. Greenspan. Danny D produced it, and the creative minds of D. Spohn and M. Jeter brought the writing to life. Compact, sharp, and full of energy!