Byrke Lou - Code

pdvw

Review by Andy Sternberg

Album Review: Code by Byrke Lou – A Weirdly Brilliant Dive into Non-Music Vibes Alright, let’s talk about Code, the 2018 release from Germany’s own Byrke Lou. If you’re expecting catchy hooks or sing-along choruses, this ain’t it. Nope. This is “Non-Music,” straight outta the Research And Waves label. It’s like someone took sounds that didn’t belong together, threw ‘em in a blender, and hit puree. But here’s the kicker—it works. First off, kudos to Mastered By Norman Neumann for keeping this sonic chaos sounding crisp. And AGF on the text? Solid choice. The whole thing feels like an experiment gone right. There are only two tracks—Side A and Side B—but trust me, they stick with ya. Let’s zoom in on Side A. Honestly, it’s kinda hard to describe without sounding like I’ve lost my mind, but here goes nothing. Imagine if your brainwaves had a soundtrack while trying to solve a Rubik’s Cube blindfolded. That’s Side A. It starts off all glitchy and fragmented, like broken radio signals bouncing around space. But then BAM! Out of nowhere comes this low hum that grows louder, almost hypnotic. You don’t just hear it—you feel it. Like, literally, your chest vibrates. It’s weird as hell, but also kinda cool. I found myself zoning out completely, staring at the wall like some kind of zen monk. Then there’s Side B, which flips the vibe entirely. Where Side A feels cold and mechanical, Side B leans warm and organic. It’s like stepping into a forest where trees whisper secrets in binary code (stay with me here). There’s this one section where these sharp, metallic clicks start overlapping with what sounds like distant wind chimes. It shouldn’t work, but somehow it does. It made me think of old sci-fi movies where robots try to understand human emotions. Surreal, right? What sticks with me most about Code isn’t even the music itself—it’s how it makes you think. Listening to it feels like decoding a puzzle, except the pieces don’t quite fit no matter how hard you try. And maybe that’s the point. Maybe Byrke Lou is messing with us, laughing somewhere in Berlin, thinking, “Yeah, let ‘em figure THAT one out.” Here’s the unexpected part though: after listening to Code, I couldn’t stop humming random bits of it for days. Not because it was catchy, but because it burrowed its way into my subconscious like an earwig wearing headphones. Is it genius? Is it nonsense? Honestly, I still can’t decide. But hey, isn’t that what art’s supposed to do? Keep you guessing? So yeah, give Code a spin if you’re tired of cookie-cutter playlists and want something that’ll mess with your head in the best possible way. Just don’t blame me when you start hearing glitches in your sleep.

Table of Contents

Download

Filename: byrke-lou-code.zip
  • MP3 size: 10 mb
  • FLAC size: 111.4 mb

Tracks

TrackDurationPreview
Side A
Side B

Images

last ned album Byrke Lou - Code
lataa albumi Byrke Lou - Code

Catalog Numbers

[0.3, y, 0.75]

Labels

Research And Waves

Listen online

  • lytte på nettet
  • écouter en ligne
  • kuunnella verkossa
  • escuchar en línea
  • lyssna på nätet
  • ascolta in linea
  • online luisteren
  • ouvir online
  • online anhören

Formats

  • Vinyl
  • 12"

Credits

RoleCredit
Mastered ByNorman Neumann
Text ByAGF

Notes

  • 'Code' by Berlin and L.A.-based artist Byrke Lou is the third LP curated and released by Research and Waves and ZCKR Records. For the record the artist presents a sonic curation of her work '.ctu_isbtm'. On Side A the listener encounters bits of '.ctu_isbtm' through '.fa', a virtual sound synthesis system designed by the artist. Operating in a space between sculpture, code and electronics, the system scans 3dimensional objects via a live video feed and programmatically encodes the artist’s glass sculptures within a language of pitches and rhythms using cultural samples as a translative matrix. The generated sound patterns are reencountered on the B-Side of the LP which contains the recording of a live-coding session. By adapting her work for the vinyl format, Byrke Lou creates a complex interplay of dimension, information and time that simultaneously embraces and reveals processes of coding, encoding and decoding. Along with Byrke Lou´s sound piece the physical record features words by AGF.
  • For the release of 'Code' Byrke Lou and Research and Waves developed an evening long event at Modular+ that blends exhibition, performance and music formats. Physical exhibits will be shown along a live set by the artist, dance elements and DJ-sets. Drawing on the releases themes and materials, each contribution touches on a different aspect of the process of encoding and decoding culture and time.
  • CODE was kindly supported by Senator für Kultur der Freien Hansestadt Bremen.

About Byrke Lou

Interesting fact about Album

Here’s something cool: The album *Code* by Byrke Lou isn’t your typical music release. It’s categorized under the genre "Non-Music," which makes it pretty unique. Released in Germany in 2018, this experimental project was mastered by Norman Neumann and features text contributions from AGF. Instead of traditional tracks, the album simply splits into two sides—Side A and Side B. It’s more like an audio experience than a standard album. Definitely not your average listen!