Album Review: What To Do With The Fuckin Chaos by The Disclowter
Released in 2004, What To Do With The Fuckin Chaos is a raw and unapologetic punk rock album from Japan’s The Disclowter. Released under the Not On Label banner, this record hits hard with its gritty energy, chaotic riffs, and rebellious attitude. It doesn’t try to be polished or overly sophisticated—it just screams authenticity.
One track that stands out immediately is “Fuck You All!!” (yes, they really went there). This song feels like an explosion of frustration bottled up for years. Its relentless pace, coupled with shouted vocals dripping with disdain, makes it impossible to ignore. There’s something cathartic about how untamed it is—you can almost picture the band throwing themselves around on stage while playing it. If you’re looking for subtlety, this ain’t it—but who needs subtlety when you’ve got pure, unfiltered rage?
Another standout is “Violence TV.” The guitar work here is jagged and aggressive, creating a sense of urgency that pulls you right into the chaos. Lyrically, it seems to take aim at media saturation and societal apathy, though deciphering exact meanings through the distorted vocals adds another layer of intrigue. What sticks most, however, is the way the track builds tension before erupting into a noisy climax. It’s messy, sure, but isn’t that kind of the point?
Tracks like “Broken98” and “More Noise” keep the momentum going, each delivering their own brand of sonic assault. Meanwhile, “Empty Haed” throws some self-deprecating humor into the mix, reminding listeners not to take everything too seriously—even if the music itself sounds dead serious.
The Disclowter doesn’t reinvent punk rock with What To Do With The Fuckin Chaos, nor does it need to. Instead, the album captures the essence of what makes punk so appealing: freedom, defiance, and a refusal to conform. Listening to it feels like being let loose in a mosh pit where rules don’t exist.
Unexpectedly, though, the album left me wondering—why isn’t more Japanese punk like this? Sure, we’ve seen polished exports like J-Rock gain global traction, but albums as wild and unhinged as this one seem rare. Maybe that’s why What To Do With The Fuckin Chaos still feels fresh nearly two decades later. Or maybe I’m just overthinking things. Either way, turn it up loud—you won’t regret it.
