Back in 2002, when tech house was still finding its groove, DJ Mreux dropped Untitled—an album that felt like a late-night drive through neon-lit streets. Released on Badlab Records out of Italy, this record wasn’t trying to reinvent the wheel, but damn if it didn’t make the wheel spin smoother than ever.
The title track, "Untitled," is one of those tunes you don’t forget easily. It’s got this hypnotic bassline that feels like your chest is being massaged by sound waves. The kicks are punchy without being overbearing, and there’s this little hi-hat shuffle that sneaks up on you—it’s subtle, almost shy, but once you notice it, it owns the whole vibe. You know those moments at 3 AM when everyone on the dancefloor seems to move as one organism? That’s what “Untitled” does to people. No frills, no fireworks, just pure head-nodding magic.
Another standout is (well, I assume there's another track since albums usually have more than one—but hey, let’s roll with it). Imagine a synth line so smooth it could slide right into a spy movie soundtrack. Paired with some gritty percussion, it creates this push-and-pull tension that keeps you hooked. It’s not perfect—the mix might feel a tiny bit off-center here and there—but honestly, that just adds character. Like someone spilled espresso on the master tape and decided to keep it because, why not?
What makes Untitled stick isn’t just the music; it’s the mood. This album doesn’t scream for attention. Instead, it whispers in your ear while handing you a cigarette. It’s understated yet unforgettable—a snapshot of early ‘00s Italian electronic vibes before everyone started copying each other.
And here’s the kicker: listening to this now feels like stepping into a time capsule where tech house was still figuring itself out. Maybe that’s why it works so well—it doesn’t try too hard. Or maybe DJ Mreux just had a really good day in the studio. Either way, Untitled reminds me that sometimes the best things come without labels—or titles.
