Gato Barbieri - Live In Montreal

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Review by Ritu Raj

Gato Barbieri’s Live in Montreal: A Jazz Journey That Sticks With You If you’re into jazz and haven’t checked out Gato Barbieri’s Live in Montreal, you’re missing something special. Released back in 2006 under Universal International Music B.V., this album isn’t just another live recording—it’s a vibe, man. Barbieri, hailing from Europe but with roots all over the map, brings his signature fiery saxophone sound to the stage, blending Latin grooves with raw jazz energy. It’s one of those albums that feels alive, like you’re right there in the room. Let’s talk tracks for a sec. The opening tune, “Latin Lady,” is an absolute burner. From the first note, Barbieri’s sax grabs your attention and doesn’t let go. There’s this wild mix of sultry and explosive—like he’s telling a story through his horn. You can hear the crowd eating it up, too. Every time I listen to this track, it reminds me how powerful live music can be. It’s not perfect, but that’s what makes it so real. The rhythm section locks in tight, and by the end, you’re ready to grab a partner and dance (or at least pretend you know how). Then there’s “What A Difference A Day Makes.” Yeah, it’s a cover, but Barbieri makes it his own. His version has this smoky, late-night feel, like you stumbled into a dimly lit club after hours. The melody lingers long after the song ends, sticking in your head like gum on a shoe. I swear, every time I hear it, I forget my troubles for a bit. It’s smooth without being boring, emotional without being cheesy. And honestly? That’s hard to pull off. The rest of the album keeps the energy high, with tunes like “Fiesta” and “Emiliano Zapata” bringing the heat. But it’s those two tracks—“Latin Lady” and “What A Difference A Day Makes”—that I keep coming back to. They’re different vibes, sure, but both capture what makes Barbieri such a legend. He wasn’t just playing notes; he was telling stories, painting pictures, and making people feel something. Here’s the thing about Live in Montreal: it’s not polished to death. There are moments where things get messy, where you can hear the imperfections. But honestly, that’s why I love it. Jazz isn’t supposed to be perfect—it’s supposed to breathe, to surprise you. This album does exactly that. And here’s a weird thought: listening to this record feels like hanging out with an old friend who tells great stories but occasionally interrupts themselves. Sure, they might lose their train of thought now and then, but you don’t care because they’re just so damn interesting. That’s Gato Barbieri in a nutshell.

Download Gato Barbieri - Live In Montreal
Artist: Gato Barbieri
Album: Live In Montreal

Table of Contents

Download

Filename: gato-barbieri-live-in-montreal.zip
  • MP3 size: 21.6 mb
  • FLAC size: 276 mb

Tracks

TrackDurationPreview
Evil Eyes
Emiliano Zapata
What A Difference A Day Makes
Latin America
Fiesta
Latin Lady

Images

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Catalog Numbers

0602517078994

Labels

Universal International Music B.V.

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Formats

  • DVD
  • All Regions EXCEPT Region1

Companies

RoleCompany
Published ByL'Équipe Spectra

Notes

  • Running Time: 58 min approx.
  • Audio : 5.1 Dolby Surround / 2.0 PCM Stereo
  • Disc Format: DVD5
  • Menu Screens: English
  • Aspect Ratio: 4:3
  • LC 00699
  • BIEM/SABAM.0602517078994
  • From the performance at the Festival International de Jazz de Montreal in 2005
  • SAXOPHONE: Gato Barbieri
  • DRUMS: Jean-Francois Fabiano
  • PIANO: Frank Ferrucci
  • PERCUSSION: Guihlerme Franco
  • BASS: Chico Rindner
  • GUITAR: Bill Washer

Barcodes

Barcode: 602517078994

About Gato Barbieri

Leandro Barbieri, better known as El Gato Barbieri (Spanish for "Barbieri The Cat") was an Argentine jazz tenor saxophonist and composer. Born: November 28, 1932 in Rosario, Santa Fe Province, Argentina. Died: April 2, 2016 in New York, NY, USA. Barbieri rose to fame during the free jazz movement in the 1960s and his latin jazz recordings in the 1970s. Born to a family of musicians, Barbieri began playing music after hearing 's "Now's the Time". He played the clarinet, then switched to the alto saxophone while teaming with pianist/bandleader in the late 1950s. By the early 1960s, he played tenor saxophone alongside trumpeter while living in Rome. Influenced by 's late recordings as well as those from saxophonists and , Barbieri developed his trademark warm and gritty sound. In the late 1960s he was fusing the native music from South America into his playing. His music score for Bernardo Bertolucci's film "" (1973) earned him a Grammy Award. By the late 1970s he was recording for A&M and moved his music towards jazz-pop with albums like "Caliente!" (featuring his best known song, a version of 's "Europa"). Though he continued to record and perform into the 1980s, the death of his wife Michelle led him to withdraw from the public. He returned to recording and performing in the late 1990s, playing music that would fall into the arena of smooth jazz.

Real Name

    • Leandro Jose Barbieri

Name Vars

  • \
  • Barbieri
  • ´Barbieri
  • Babieri
  • Barbaeri
  • Barberi
  • Barbier
  • Barbieri Gato
  • Barbierie
  • Barbierri
  • C. Barbieri
  • Caro Barbieri
  • Cat Barber
  • G. Barbier
  • G. Barbieri
  • G. Barieri
  • G. Barvieri
  • G. ÐëÓ¨ê
  • G.Barbieri
  • G.ÐëÓ¨ê
  • Galo Barbieti
  • Garto Barbieri
  • Gato
  • Gato - Barbieri
  • Gato Babieri
  • Gato Barbier
  • Gato Barbieri & His Group
  • Gato Barbierie
  • Gato Bardieri
  • Gato/Barbieri
  • Guy Barbieri
  • GûÐëÓ¨ê
  • L. Barbieri
  • L. G. Barbieri
  • L.G. Barbieri
  • Leandro \
  • Leandro 'Gato' Barbieri
  • Leandro Barbieri
  • Leandro Gato Barbieri
  • Leandro Gato Barbieri
  • Lee \
  • Lee Gato Barbieri
  • Lenadro \
  • Leonardo \
  • Unidentified Cat
  • Г. Барбиери

Aliases

  • Unidentified Cat

Interesting fact about Album

Did you know? Gato Barbieri's *Live In Montreal* album, released in 2006, blends fiery jazz with Latin soul. It’s packed with tracks like "Latin Lady" and "Fiesta" that feel like a vibrant celebration. The album was released under Universal International Music B.V. in Europe, showcasing Barbieri’s knack for fusing genres and cultures. Fun fact: the track "What A Difference A Day Makes" adds a jazzy twist to a classic tune.