I Got The Beat by Lian Ross: A Dance-Pop Odyssey That Still Kicks in 2013
Let’s get one thing straight—Lian Ross’ I Got The Beat isn’t just another dance album. It’s a wild ride through deep house vibes, disco nostalgia, and progressive beats that somehow manage to feel both retro and futuristic at the same time. Released in 2013 under Weiss Records, this European gem (with strong ties to Spain) is like an all-you-can-eat buffet for your ears. And trust me, there’s no shortage of flavor here.
The album packs a whopping collection of tracks, but two standouts really stuck with me: “Young Hearts Run Free (Jerry Ropero Remix)” and “Minnie The Moocher (House Remix).”
First off, let’s talk about “Young Hearts Run Free.” Jerry Ropero didn’t just remix this classic—he resurrected it. The original version always had soul, sure, but Ropero cranks it up to eleven. There’s something magical about how he layers those pulsating synths over the iconic vocal hook. You’re not just listening; you’re living it. I remember hearing this track at some random rooftop party last summer, and suddenly everyone was singing along like we were starring in our own cheesy-but-awesome music video. Hands down, it’s the kind of song that makes you forget life’s problems for four glorious minutes.
Then there’s “Minnie The Moocher (House Remix),” which is basically what happens when jazz meets EDM on a night out. Honestly, who knew Cab Calloway could vibe so hard with electronic drops? This remix takes Minnie from Harlem to Ibiza without breaking a sweat. Every time that funky bassline kicks in, I swear my feet start moving before my brain even catches up. It’s playful, unexpected, and totally addictive—the perfect example of why this album works so well.
Behind the scenes, producer Luis Rodriguez deserves major props for keeping everything cohesive. With help from co-producer Alan Alvarez and arrangers like Philippe Escaño and Jerry Ropero, they’ve created a project that feels polished yet raw enough to keep listeners hooked. Shoutout also goes to Pariz Mythos for the artwork—it’s simple but striking, much like the music itself.
What I love most about I Got The Beat is its refusal to stick to one lane. One moment you’re grooving to deep house bangers like “On The Road Again,” and the next, you’re swaying to heartfelt ballads like “Amazing Grace.” Even weirder, it somehow works. Maybe it’s because Lian Ross understands that music doesn’t need rules as long as it makes you feel something.
So yeah, I Got The Beat might not be perfect. Some tracks blend together after a while, and maybe a few songs try too hard to be anthems. But honestly? Who cares? This album is a reminder that sometimes, the best moments come from letting loose and embracing chaos. Plus, any record that can make you shake your booty AND reflect on life has gotta be worth a listen.
Final thought: If this album were a person, it’d probably be that quirky friend who shows up late to every party but steals the spotlight anyway. And honestly? We wouldn’t have it any other way.
