Full Time by MurderSuicide Pact: A Thrash-Fueled Riot You Didn’t Know You Needed
Alright, let’s talk about Full Time by MurderSuicide Pact. Released back in 2010 on Bacon Towne Records, this album is like that one friend who shows up uninvited but ends up being the life of the party. It’s raw, it’s loud, and it doesn’t care if you’re ready for it or not. If you’re into rock with a heavy dose of thrash, hardcore, and punk vibes, then buckle up—this record is your new jam.
The band hails from the US, and they’ve got the kind of DIY energy that makes you wanna grab your skateboard (or at least pretend you know how to use one). The lineup includes Bassist Alonso Moreno, Drummer Brian Roberts, Guitarist Joe Kiser, and Vocalist Bob Suren, who also handled the layout. Mark Nikolich was behind the boards for recording and mixing, while Kyle Stone snapped some killer photos. These guys didn’t just throw this thing together—they poured their guts into it.
Now, let’s get into the tracks because honestly, there are some bangers here. First off, “Get Bored And Die” sticks out like a sore thumb—and I mean that in the best way possible. This song hits hard right from the start, with riffs sharp enough to cut glass and drums so punchy you’ll feel them in your chest. Bob Suren’s vocals have this gritty, pissed-off vibe that perfectly matches the track’s title. It’s one of those songs where you can almost picture the mosh pit forming as soon as it starts playing. Plus, the lyrics? Totally relatable if you’ve ever felt stuck in a rut. Who hasn’t wanted to scream “GET BORED AND DIE!” at least once?
Another standout is “Hot And Dirty.” Man, this tune is sleazy in all the right ways. The guitar work by Joe Kiser is nasty and groovy, giving off major sleaze-rock vibes without losing its hardcore edge. There’s something about the way the bass rattles underneath everything—it’s like Alonso Moreno knew exactly how to make your speakers shake. When these two tracks come on, you don’t just listen; you react. Whether it’s headbanging, air-guitaring, or yelling along, it’s impossible to stay still.
The rest of the album keeps the momentum going too. Tracks like “Tailspin” and “Heavy Hand” deliver more of that chaotic energy, proving MurderSuicide Pact knows how to keep things interesting. Even slower moments hit differently because they’re packed with emotion rather than filler.
What’s wild about Full Time is how unapologetically itself it is. No fancy production tricks, no overthinking—it’s just five dudes making music the way they want to. That authenticity shines through every note. Sure, it might not be everyone’s cup of tea, but if you dig aggressive, high-energy rock, you’ll find plenty to love here.
So, would I recommend Full Time? Absolutely. It’s the kind of album that reminds you why rock music matters—it’s rebellious, it’s real, and it doesn’t give a damn what anyone else thinks. Honestly, after listening to it, I kinda wish MurderSuicide Pact had made more albums. But maybe that’s part of its charm—it feels like catching lightning in a bottle.
Oh, and hey—if you ever meet Bob Suren, ask him if designing the layout gave him carpal tunnel. Something tells me he’d laugh at that question.
