Album Review: The Bounce Is Back by Nhan Solo, Daniel Dexter & Der EKreisel
Released in 2008 under the German label We Are Playtime, The Bounce Is Back is a solid entry in the electro-electronic scene. It’s not trying to reinvent the wheel, but it doesn’t need to—it delivers exactly what fans of the genre want: punchy beats, quirky energy, and remixes that feel like they’re made for late-night dance floors. With just four tracks on the EP, this release keeps things tight and focused.
Let’s talk about “Call Me A Bitch (Robosonic Remix)” first. This track hits hard right outta the gate. Robosonic takes the original and cranks up the sass with a bassline so thick you could spread it on toast. The vocals are sharp and unapologetic, making it impossible not to bob your head or maybe even shout along if no one’s watching. What sticks with me here isn’t just the groove—it’s how effortlessly cool it feels. Like, yeah, call me whatever you want; I’m still gonna own this beat.
Then there’s “The Bounce Is Back (Malente Remix),” which flips the title track into something completely different. Where the original leans more classic electro, Malente brings an almost hypnotic vibe to the table. The synths swirl around like neon lights in slow motion, while the rhythm section locks you into its groove. You can tell this remix was crafted with care—there’s a sense of progression that keeps you hooked without overloading the senses. Honestly, it’s the kind of track that makes you wonder why Malente didn’t get more shine back then.
Sure, the album only has two main tunes with their respective remixes, but sometimes less really is more. Each version offers enough variation to keep things fresh without straying too far from the core sound. Plus, coming from Germany—a country known for its electronic music pedigree—you kinda expect quality, and The Bounce Is Back delivers.
Reflecting on this little gem, it’s wild to think about how these tracks were dropped over a decade ago. Listening now, they still slap. Maybe that’s the beauty of good electro—it doesn’t age as fast as other genres. Or maybe it’s just proof that when done right, simplicity never goes out of style. Either way, props to Nhan Solo, Daniel Dexter, and Der EKreisel for giving us something worth revisiting. Now excuse me while I go figure out where my glowsticks are…
