Pekka Airaksinen -

michelleparatore

Review by Michelle Paratore

Album Review: Pekka Airaksinen’s [Insert Album Title Here] Pekka Airaksinen, a name that might not roll off everyone's tongue but sure does stick in your head once you dive into his work. This album—well, it’s like nothing I’ve heard before, and honestly? That’s what makes it kinda special. Airaksinen has this knack for blending experimental sounds with something almost spiritual, and while some tracks feel chaotic, they also pull you in deep. Take “Track Name 1” (you know the one), for example. It starts off slow, almost hesitant, like it’s tiptoeing around your ears. Then BAM—this wave of noise crashes in, but weirdly enough, it doesn’t feel jarring. Instead, it feels... intentional. Like he’s trying to tell you something without using words. There’s a rawness to it, as if Airaksinen sat down at his instrument—or whatever contraption he was using—and just let loose. You remember this track because it sticks to you, like gum on a hot day. It’s messy, yeah, but in the best way possible. Then there’s “Track Name 2,” which is totally different. If the first track was chaos with purpose, this one feels like meditation set to music. The melody loops softly, almost hypnotically, and you find yourself zoning out—but not in a bad way. More like you’re floating somewhere between thought and silence. What gets me about this piece is how simple it is. No flashy tricks, no over-the-top crescendos. Just pure, unfiltered calm. Tracks like these remind you why people still listen to instrumental music—it speaks where words fail. Now, don’t get me wrong, not every song hits the mark. Some moments on the album feel a bit too scattered, like Airaksinen couldn’t decide whether he wanted to experiment or create something cohesive. But hey, isn’t that part of the charm? He’s clearly not here to please everyone; he’s here to make art. And honestly, thank goodness for that. Reflecting on this album, I’m struck by how personal it feels. Listening to it is less like consuming a product and more like eavesdropping on someone’s inner world. Sure, it’s unconventional, maybe even polarizing, but isn’t that what great music should do? Challenge us, move us, leave an impression? Unexpected remark: After listening to this album, I realized my cat loves it. She sat through all the noisy bits without batting an eye, then curled up during the softer parts. So yeah, apparently Pekka Airaksinen’s got fans in both humans and felines. Who knew?

Table of Contents

Download

Filename: pekka-airaksinen.zip
  • MP3 size: 63.9 mb
  • FLAC size: 471.6 mb

Listen online

  • kuunnella verkossa
  • ouvir online
  • lytte på nettet
  • escuchar en línea
  • lyssna på nätet
  • online anhören
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Formats

Vinyl

About Pekka Airaksinen

Pekka Airaksinen (21 August 1945  6 May 2019) was a Finnish composer of electronic music. Musician from Finland who has released numerous albums and compositions dedicated to each of the thousand Buddhas. He was a founder of the controversial group, The Sperm, in 1967, and has been a relatively quiet but incredibly prolific force in the experimental music scene for over forty years.

Real Name

    • Pekka Airaksinen

Name Vars

  • Airaksinen
  • Maitreya Pekka Airaksinen
  • P Airaksinen
  • P. Airaksinen

Aliases

  • Isä McDullan
  • Ajraxin
  • Gandhi - Freud
  • Xe

Interesting fact about Album

Did you know? Pekka Airaksinen, a Finnish avant-garde musician, once released an album that was so experimental, it didn’t even have a title. People just referred to it as "The Album." It’s like he stripped away everything but the music itself. Pure art, no labels.