Album Review: House Progressive Resistant by Various Artists
Alright, let’s talk about House Progressive Resistant. This 2016 release from Germany under the label Le Bien Et Le Mal is a solid ride through Minimal Techno, Tech House, and Progressive House vibes. It’s one of those albums that doesn’t try too hard to blow your mind but still manages to keep you hooked with its understated grooves. If you’re into electronic music that feels like it was made for dimly lit rooms and late-night drives, this one might just hit the spot.
Now, I gotta say, not every track on here stands out—there are moments where things feel a bit repetitive (which is kinda expected in this genre). But there are two tracks that really stuck with me: “Around The World” and “Faith In The Music (AHL Remix)”.
First up, “Around The World.” Man, this track has this hypnotic rhythm that sneaks up on you. You don’t even realize it at first—it starts off all chill, like someone casually tapping their foot next to you. Then BAM! That bassline kicks in, and suddenly you’re nodding along like an idiot. It’s got this minimal vibe that builds slowly, layer by layer, until you’re fully submerged. I remember playing it while cooking dinner once, and before I knew it, I wasn’t cooking anymore—I was dancing around my kitchen like some kind of weird pasta-making shaman. Yeah, it’s THAT kind of track.
Then there’s “Faith In The Music (AHL Remix),” which is straight-up fire. The remix adds this extra layer of punchy beats and atmospheric synths that make it feel like you’re floating through space while also being grounded in the club. There’s something about how the melody loops—it’s almost meditative, but without getting boring. It’s the type of song that makes you close your eyes and zone out, even if you’re standing in line at the grocery store. Don’t judge; I’ve done it.
The rest of the album? Solid, but nothing earth-shattering. Tracks like “Musketeer,” “7 Veils,” and “Tunnel Of Imagin” add texture, keeping the energy flowing, though they don’t leave as much of an impression as the two I mentioned earlier. And hey, props to whoever decided to include so many radio edits—it keeps things accessible, though sometimes it feels like we’re missing out on the full experience.
What I love most about this album is how cohesive it feels despite having multiple artists onboard. It’s like everyone involved agreed to play nice and stick to the same vibe, which is rare in compilations like this. Plus, coming from Germany—a country known for its electronic music scene—you can tell these producers know what they’re doing. They’re not trying to reinvent the wheel here; they’re perfecting it.
So yeah, House Progressive Resistant isn’t gonna change your life or anything, but it’s a great addition to any playlist when you need something smooth yet engaging. Honestly, listening to it feels like putting on an old hoodie—it’s comfy, familiar, and exactly what you need without realizing it.
Oh, and here’s a random thought: why do so many electronic tracks have titles that sound like they belong in sci-fi novels? Like, who names a track “Keys In Tokyo”? Did someone lose their keys there? Were they solving a mystery? I dunno, maybe I’ve been watching too many detective shows lately. Anyway, check this album out if you’re into subtle bangers.
