Klaras Aria Top 20: A Timeless Classical Journey from Belgium (2007)
So, you’ve stumbled upon Klaras Aria Top 20, huh? This little gem came out in 2007 under Universal’s wing, straight from the heart of Belgium. It’s one of those albums that feels like a warm cup of tea on a rainy day—except instead of tea, it’s opera and classical bangers. Yeah, I said bangers. Don’t @ me.
Now, let’s get real for a sec. With 20 tracks packed into this thing, it’s kind of overwhelming at first glance. You’ve got your usual suspects here—arias from Carmen, La Traviata, Madame Butterfly—but what makes this album stand out is how smooth the transitions feel. It’s like flipping through an old photo album where each picture tells its own story but somehow fits perfectly with the rest.
Let me zoom in on two tracks that stuck with me because, honestly, if I tried to talk about all 20, we’d be here till next week.
First up: “Habanera” from Carmen. Oh man, this track hits different every time. That famous line, “L’amour est un oiseau rebelle,” rolls off the tongue like melted chocolate. The singer—they didn’t slap names on these tracks, annoyingly enough—just nails it. There’s something so raw and sultry about the delivery; it’s not just singing, it’s storytelling. Like Carmen herself walked into my living room, lit a cig, and started spilling secrets. By the end, I was ready to pack my bags and follow her anywhere.
Then there’s “Nessun Dorma” from Turandot. If you don’t know this one, do yourself a favor and google it right now. Wait, no, don’t google it—listen to this version first. The build-up? Chef’s kiss. Those final notes? Pure chills. It’s the kind of song that makes you wanna throw your arms wide open and scream into the void. Or maybe that’s just me. Either way, it’s impossible not to feel something huge when the big finale drops.
What I love most about Klaras Aria Top 20 is how accessible it feels. Even if you’re not some snooty opera buff who knows their Bizet from their Bellini, you can still vibe with this album. It’s got drama, romance, betrayal—all the good stuff—but without any pretentiousness. Plus, it’s a great intro to classical music if you’re new to the scene.
Here’s the kicker though: listening to this album made me realize how much modern pop borrows from these classics. Seriously, half the hooks in today’s chart-toppers sound like they were lifted straight from Puccini or Mozart. Maybe that’s why this album still holds up almost two decades later—it’s timeless, baby.
Final thought: If you’re ever stuck in traffic or having a blah kinda day, pop this album on. Trust me, by the time “Der Hölle Rache” comes on, you’ll forget all about your problems. Unless your problem is hating opera, in which case… well, maybe give it another shot?
Les Pêcheurs De Perles - C'est Toi... Au Fond Du Temple Saint
Don Giovanni - La Ci Darem La Mano
Tannhäuser - Wie Todesahnung... O Du Mein Holder Abendstern
Gianni Schicchi - O Mio Babbino Caro
Porgy And Bess - Summertime
Les Contes D'Hoffmann - Nuit D'Amour
L'Elisir D'Amore - Una Fortuva Lagrima
Rinaldo - Lascia Ch'Io Pianga
L'Incoronazione Di Poppea - Pur Ti Miro
Die Zauberflote - Der Vogelfänger Bin Ich Ja
Dido And Aeneas - The Hand, Belinda... When I'm Laid In Earth
Turandot - Nessun Dorma
Madame Butterfly - Un Bel Di Vedremo
Norma - Costa Diva
Rigoletto - La Donna È Mobile
Die Zauberflote - Der Hölle Rache
Lakmé - Bloemenduet
Tristan Und Isolde - Liebestod
Serse - Ombra Mai Fu
Images
Catalog Numbers
00289 4429094
Labels
Universal
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Formats
2 × CD
Barcodes
Barcode: 0 0289 44 290943
Interesting fact about Album
Here’s an interesting fact: The album *Klaras Aria Top 20* isn’t just another classical compilation. Released in Belgium in 2007 under Universal, it’s like a mini opera festival on a CD. It packs some of the most iconic arias ever written—like *Nessun Dorma* from *Turandot* and *La Donna È Mobile* from *Rigoletto*. What makes it stand out? It’s not tied to one composer or opera. Instead, it jumps across centuries, countries, and styles. You get Mozart next to Puccini, Bizet alongside Wagner. And with tracks like *Summertime* from *Porgy and Bess*, it even dips into crossover territory. So if you’re new to opera or a die-hard fan, this album feels like a whirlwind tour of emotion, drama, and pure vocal fireworks—all wrapped up in one neat package.
