Tommys Disco Machine by Sasha Carassi: A Retro-Electro Gem That Still Bangs
If you’re into the kind of music that makes your feet move without asking permission, Tommys Disco Machine by Sasha Carassi is a must-listen. Released in 2006 under KollaFreak Recordings, this album straddles the UK-Italy electronic scene with ease, blending Electro, Progressive House, and Tech House vibes into something that feels both nostalgic and fresh. It’s not perfect, but it doesn’t need to be—it’s got character.
The album kicks off with its titular track, “Tommy’s Disco Machine (Original Mix).” This one grabs you right away with its punchy bassline and quirky synth stabs. You can almost picture Sasha Carassi hunched over his gear late at night, tweaking knobs until everything clicked. The energy here is raw yet refined, like he didn’t overthink it—just let the groove do its thing. What sticks out most is how playful the melody feels; there’s a cheekiness to it that keeps you hooked. Not too serious, just straight-up fun.
Then there’s the Tony Matt Remix of the same track. Now, if the original mix is the life of the party, this remix is the afterparty nobody saw coming. Tony Matt flips the vibe entirely, turning up the tempo and adding layers of tension that build and release like waves. Around the two-minute mark, when the percussion kicks in harder, it’s almost impossible not to nod your head or tap your foot. It’s darker, edgier, and honestly? It might even steal the spotlight from the original. If you’ve got a pair of decent headphones, listen closely—you’ll catch little details that make the remix shine.
As for the rest of the album, tracks like “Carassi Micromix” keep things interesting. It’s tighter, more stripped-back, focusing on intricate rhythms rather than big drops. But honestly, these other versions feel more like bonus content compared to the standout originals and remixes.
What I love about Tommys Disco Machine is how unapologetically itself it is. There’s no attempt to chase trends or fit some mold—it’s pure expression. And while 2006 might seem ancient now (hello, flip phones), this record still holds up remarkably well. Maybe because Sasha Carassi wasn’t trying too hard to impress anyone—he was just making music that felt good.
Here’s the unexpected part: listening to this album made me realize how much we miss that DIY spirit in today’s overly polished productions. Sure, modern EDM has its merits, but albums like this remind us what happens when artists trust their instincts instead of algorithms. So yeah, give it a spin—especially those first couple of tracks. Who knows? You might find yourself dancing alone in your kitchen at 2 AM. No judgment here.
