Album Review: De Nittionio by Salems Mannskor
Salems Mannskor’s De Nittionio is one of those rare albums that feels like a warm handshake from another time. Released in 1960 under the Klango label, this Norwegian gem dives deep into the Religious corner of Folk, World, & Country music. Led by conductor Daniel Strøm, it’s an understated yet profound listen—simple in its execution but rich with emotion. If you’re someone who enjoys sacred choral works or just appreciates raw sincerity in music, this album might just stick with you.
Let’s talk tracks. The title track, “De Nittionio,” sets the tone right off the bat. It’s solemn, yes, but there’s a kind of quiet strength to it. You can almost picture a small church somewhere in Norway, voices rising together in harmony, no need for flashy instrumentation. There’s something about the way the choir carries each note—it’s not perfect, and maybe that’s why it works. It feels human, real. And when they hit those higher notes? Goosebumps. This isn’t your typical polished choir performance; it’s more like eavesdropping on a moment of genuine worship.
Then there’s “Hør Jesu Røst,” which stands out for its haunting beauty. The melody lingers long after the track ends, partly because it feels so intimate. It’s as if the singers are whispering directly to you, urging you to listen closely. Some moments feel almost improvised, like the group is feeling their way through the song rather than sticking rigidly to sheet music. That unpredictability makes it memorable—it’s spiritual without being preachy, emotional without trying too hard.
One thing worth mentioning is how stripped-back everything sounds. Back in 1960, recording technology wasn’t exactly cutting-edge, so what you hear is pretty much what you get: pure vocals, minimal frills. But honestly? That’s part of the charm. In today’s world of overproduced tracks and endless edits, De Nittionio feels refreshingly honest.
Daniel Strøm deserves credit here too. Conducting a choir like Salems Mannskor must’ve been no small feat, especially back then. He manages to pull performances out of them that are both tender and powerful—a balancing act many conductors struggle with even today.
Reflecting on this album, I’m struck by how timeless it feels. Sure, it’s rooted in a specific era and culture, but the themes of faith, reflection, and community resonate universally. Listening to these songs made me think about how music serves as a bridge across generations. And hey, isn’t it kinda wild to imagine people gathering in a tiny Norwegian town six decades ago, singing these same hymns? Feels like proof that some things never go outta style—even if they come wrapped in a little static and hiss.
So give De Nittionio a spin if you’re up for something different. Just don’t blame me if you find yourself humming “Hør Jesu Røst” at random moments throughout your day.
