Pippi Zet De Boel Op Stelten: A Wild Ride Through Pippi’s World
Let me just say this upfront—Pippi Zet De Boel Op Stelten isn’t your average kids’ musical album. Released in 2009 under Theater Familie and CNR Entertainment, it’s a Benelux gem that feels like someone took all the chaos of childhood, mixed it with Astrid Lindgren’s whimsical storytelling, and added a dash of pure magic. The genre? Stage & Screen meets Musical. And trust me, it works.
The whole thing is brought to life by an insanely talented crew. Ronny Mosuse (bass, contrabass, producer—you name it) is basically holding this ship together, while Aram Van Ballaert adds layers of fun with his electric guitar and banjo skills. Then there’s Maria Noë on vocals, who gives Pippi her larger-than-life personality. Oh, and can we talk about Klaas Gaublomme on accordion? That guy knows how to make you feel like you’re at some wild village fair!
Now, let’s dive into two tracks that stuck with me because they’re just… unforgettable.
First up: “Slaapliedje B.” This lullaby hits different. It’s soft but kinda haunting too, like when you’re trying to fall asleep as a kid and your imagination starts running wild. Maria Noë sings it so tenderly, though—it’s like she’s tucking you in herself. But here’s the kicker: even though it’s meant to calm you down, something about it feels bittersweet, almost nostalgic. Maybe it reminds me of being small and not wanting bedtime to come. Or maybe I’m overthinking it. Either way, it stayed in my head for days.
Then there’s “Hoe Het Hoort,” which is basically the opposite vibe. This one bursts out of nowhere with trumpets blaring (shoutout to Nico Schepers!) and lyrics that feel like a lesson wrapped in sass. Ivo de Wijs clearly had fun writing this one—it’s playful yet sharp, poking fun at societal norms while still keeping things light enough for kids. Every time I hear it, I picture Pippi standing tall, arms crossed, telling adults exactly what’s wrong with their rules. Love her energy.
What makes this album special is its balance between chaos and charm. Tracks like “Pippi Piraat” are full-on adventures, while others, like “Op School,” sneak in little life lessons without feeling preachy. Plus, the mix of instruments—from udu drums to trombones—is delightfully unpredictable. You never know what sound will pop up next!
But honestly, what surprised me most was how emotional it got at times. Sure, it’s based on a beloved children’s story, but moments like “Zo Klein, Zo Dom, Zo Bang En Zo Alleen” hit harder than expected. Like, wow, Pippi might be fearless, but she’s also lonely sometimes. Who knew?
So yeah, Pippi Zet De Boel Op Stelten isn’t perfect—it has its quirks and occasional cheesiness—but that’s part of why I adore it. It doesn’t try too hard to impress; instead, it lets the music speak for itself. And honestly? If this doesn’t make you want to grab a suitcase, climb aboard a pirate ship, or at least hum along loudly, then I don’t know what will.
Oh, and one last thing—I think Pippi would’ve loved karaoke nights. Just saying.
