Album Review: Wanted 50s RockNRoll by Various
If you’re a sucker for that raw, untamed energy of 50s rock 'n' roll with a dash of rockabilly swagger, Wanted 50s RockNRoll is the kind of album that’ll make your toes tap and your heart race. Released in 2018 by Wagram Music outta France, this compilation feels like a love letter to an era when music wasn’t just heard—it was felt. With mastering handled by Arnaud Ralite and killer artwork courtesy of Supercinq, it’s got all the right ingredients to transport you back to jukebox joints and sock hops.
The tracklist is packed with bangers, but two songs really stuck with me. First up, “Rockin’ Bones.” Man, this tune hits hard. It’s got that greasy guitar riff paired with vocals that sound like they were recorded in some smoky basement after hours. The lyrics are simple but effective—classic tales of rebellion and freedom wrapped up in a three-minute frenzy. You can almost picture yourself cruising down an open highway in a beat-up convertible while this one blasts from the radio.
Then there’s “Uranium Rock,” which is just plain wild. I mean, how often do you hear a song about radioactive materials that still manages to groove? It’s quirky as hell, yet somehow it works. The rhythm section locks in tight, and the vocal delivery has this cheeky confidence that makes it impossible not to grin. Tracks like this remind you why rock 'n' roll was such a game-changer—it didn’t take itself too seriously, but it sure knew how to have fun.
Other standouts include “Flying Saucers Rock ‘n’ Roll” (because who doesn’t love aliens invading their playlist?) and “Fire Of Love,” which brings enough heat to light up any dance floor. Even slower numbers like “Four O’Clock Baby” show off the range here, proving that this isn’t just mindless noise—it’s crafted chaos.
What’s cool about this album is how unpolished it feels. In a world where everything’s auto-tuned and overproduced, Wanted 50s RockNRoll embraces its imperfections. Sure, some tracks might feel a bit rough around the edges, but that’s part of the charm. It’s like flipping through an old vinyl collection—you don’t know exactly what you’re gonna get, but every discovery feels authentic.
Here’s the kicker though: despite being released in 2018, this album could’ve easily slipped under the radar. And honestly? That kinda fits. It’s not trying to reinvent the wheel; it’s just reminding us why we fell in love with these sounds in the first place. So if you’re looking for something fresh yet nostalgic, give this one a spin. Just don’t blame me if you find yourself reaching for leather jackets and pomade afterward.
