All Saints - Never Ever

dmmarchione

Review by David Marchione

All Saints’ Never Ever Album Review: A Timeless Mashup of Heartbreak and Groove Alright, let’s get one thing straight—All Saints’ debut album Never Ever isn’t just an album; it’s like that friend who shows up uninvited but ends up being the life of the party. Released in 1997, this record is a genre-bending rollercoaster that hops between pop, funk, soul, R&B, hip-hop, and even garage house. It’s messy, bold, and absolutely unforgettable—the kind of chaos you can’t help but love. The crown jewel here is obviously “Never Ever.” But wait, don’t think we’re talking about just one version. Oh no, this track comes in more remixes than you’d find flavors at a frozen yogurt shop. From the gut-wrenching balladry of the Original Mix to the upbeat sass of Booker T’s Vocal Mix, every take on “Never Ever” feels like a different chapter of the same breakup story. The lyrics are raw—almost too honest—and when Shaznay Lewis sings, "I’ve gotta be honest, I ain’t never gonna give in," it hits deep. Like, cancel-your-plans-and-eat-ice-cream-in-bed deep. Another standout? “I Know Where It’s At.” This bop blends dance-pop with UK garage vibes so smooth you’ll forget you’re listening to something from the '90s. Produced by Magnus Fiennes (yeah, Ralph Fiennes’ bro), it’s got that infectious groove that makes your shoulders shimmy without permission. And those harmonies? Pure gold. There’s something magical about how All Saints layer their voices—it’s like they’re whispering secrets directly into your ears. What makes this album stick is its ability to sound both timeless and totally stuck in its era. Tracks like “I Remember” bring back memories of late-night drives or awkward school dances, while others feel ahead of their time. You know what I mean? Like, it’s nostalgic but still fresh enough to slap on repeat today. Now, for the random thought that popped into my head while writing this: If Never Ever were a person, it’d probably be that cool older cousin who introduces you to underground clubs, sneaks you into parties, and somehow always knows the best playlist. Honestly, if you haven’t revisited this gem yet, do yourself a favor and hit play. Just maybe keep some tissues handy—you’ve been warned.

Table of Contents

Download

Filename: all-saints-never-ever.zip
  • MP3 size: 179.8 mb
  • FLAC size: 1380.4 mb

Tracks

TrackDurationPreview
Never Ever (All Star Remix)4:35
Never Ever (Booker T's Down South Dub)6:27
I Know Where It's At (Cutfather And Joe's Alternative Mix -Radio)
Never Ever (Rickidy Raw Urban Mix)4:19
Never Ever (German Intro Mix)5:13
Never Ever (Radio Version)5:16
Never Ever (All Star "No Rap" Mix)4:38
I Know Where It's At (Cutfather And Jo's Alternative Mix-Radio)
Never Ever (All Star Mix)
Never Ever (Radio Edit)4:48
Never Ever (Original Mix)
Never Ever [Nice Hat Mix]
I Remember4:04
Never Ever ("I Know Where It's At" Radio Version)5:13
Never Ever (Nice Hat Mix)5:12
Never Ever (Version Original)6:22
Never Ever (Original Acappella)6:21
Never Ever (Album Version)
Never Ever5:15
Never Ever (Main Mix)4:34
Never Ever (Bookert's Vocal Mix)6:16
Never Ever (Booker T's Up North Dub)5:55
Never Ever (Edit)4:44
Never Ever (Bookert's Down South Dub)6:25
Never Ever (British Award/Echo Mix)4:26
Never Ever (Booker T's Vocal)6:15
Never Ever (Main ! "No Rap" Mix)4:35
Never Ever (Booker T's Vocal Mix)6:19
Never Ever (Short Radio Version)3:47

Video

All Saints - Never Ever (US Version) (Official Music Video)
All Saints - Never Ever (UK Version) (Official Music Video)

Images

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Catalog Numbers

  • LOCDP 407, 570 071-2
  • 570 048-2
  • PR12 7817-1
  • 314-570 178-7
  • LONCS 407, 570 062-4
  • CDP 306
  • LXDJ 407
  • 314-570 179-1
  • 314 570 178-8
  • LOCDJ 407
  • 314 570 178-4
  • LONCD 407 INT MAXCD 071
  • LONCD 407, 570 062-2
  • LONX 407, 570 063-1
  • 314 570 178-2
  • LON 407
  • ALLSAINTS-1
  • 570 083-2
  • 2871
  • PRCD7779-2
  • 570 062-2
  • 2802 298, 2802298
  • POCD-1269

Labels

  • London Records
  • PolyGram Group Canada Inc.
  • Urban Empire
  • London Records, FFRR, Urban Empire
  • London Records, PolyGram

Listen online

  • online luisteren
  • escuchar en línea
  • lytte på nettet
  • lyssna på nätet
  • écouter en ligne
  • ouvir online
  • kuunnella verkossa
  • ascolta in linea
  • online anhören

Formats

  • CD
  • Single
  • CD2
  • Limited Edition
  • Cardboard sleeve
  • Vinyl
  • 12"
  • Promo
  • 7"
  • Cassette
  • Digipack
  • Test Pressing
  • 45 RPM
  • White Label
  • Maxi-Single
  • Cardboard Sleeve
  • CD1
  • Jukebox
  • CDr
  • 33 ⅓ RPM
  • Clear
  • Cardsleeve

Companies

RoleCompany
Phonographic Copyright (p)London
Copyright (c)London
Marketed ByBarclay
Produced ForRendezvous
Made ByPMDC, UK
Distributed ByPolyGram Discos, S.A. De C.V.
Manufactured ByPolyGram Discos, S.A. De C.V.
Pressed ByOrlake Records
Lacquer Cut AtFrankford/Wayne Mastering Labs
Published ByCopyright Control

Credits

RoleCredit
DesignForm
ManagementJohn Benson Music Management
Photography BySixsixfour
ProducerMystro , Rickidy Raw
Written-ByRickidy Raw, Lewis
EngineerMarcellus Fernandes (tracks: A2, B2), Niven Garland (tracks: A1, B1)
KeyboardsCyril McNammon (tracks: A2, B2)
RemixBooker T
Co-producerEsmail, Sean Mather
Lacquer Cut ByRCE
PhotographySixsixfour

Notes

  • Inner sleeve:
  • 2, 3 & 4 remix and additional production for Rendezvous/Blacksmith Music Productions Ltd.
  • Sticker on back cover & disc:
  • ℗ 1997 London. © 1997 London.
  • The copyright in this sound recording is owned by London Records 90 Ltd. Marketed in France by Barclay & in Germany by Motor Musik GmbH.
  • _
  • Released in cardboard sleeve with outer wallet. Includes poster.
  • Track durations are not printed on the release.
  • (P) & (C) 1997 London
  • Made in Germany by PMDC
  • Marketed in France by Barclay & in Germany by Motor Musik GmbH
  • US Promo release.
  • 7" Single Without Picture Sleeve
  • (P) 1997 London Records
  • Advance Test Pressing
  • Printed in Canada
  • 1998 London/PolyGram Records, printed in the USA.
  • The copyright in this sound recording is owned by London Records 90 Ltd.
  • Marketed in France by Barclay & in Germany by Motor Musik GmbH.
  • Promo only. Not for re-sale.
  • Track duration not printed on the release.
  • South African release can be identified by:
  • 'Polygram SA' on insert.
  • 'Rights ..... for the South African territory' on CD label.
  • The track durations are not indicated anywhere on the CD or insert (They are shown in this listing for convenience.)
  • 2. remixed for Eargasm Music.
  • 3. produced for Jerv Management.
  • Flap & disc:
  • J-card case.
  • A1. Remix produced [...] for Starcycle Entertainment
  • B1. Remix and additional production [...] for Rendezvous / Blacksmith Music Productions Ltd
  • Comes in a standard jewel case with front and rear inserts
  • Made in France by PMDC
  • UK 7" single pressed for UK Jukebox distribution. It has silver machine moulded labels, large centre hole, and came without a picture sleeve.
  • ℗ 1997 London Records
  • On Side B Label: published by Copyright Control. Typo: 'Remixed bu Cutfather & Jo.'
  • Promotional CDr for German radio broadcasters, these edits are exclusive to this release.
  • Published by Copyright Control.
  • Tracks 2 and 3 remix produced for Starcyde Entertainment.
  • Tracks 4 and 5 remix and additional production for Blacksmith.
  • ℗ 1998 London Records © 1998 London Records. Marketed in Germany by Motor Music GmbH.
  • Cardsleeve
  • MADE IN AUSTRALIA
  • PROMOCIONAL INVENDÁVEL.

Barcodes

  • Barcode (text): 7 31457 00712 9
  • Barcode: 731457007129
  • Matrix / Runout: LOCDP407 10492961 03 %
  • Matrix / Runout (Mould on inner ring): MADE IN THE UK BY PMDC
  • Mastering SID Code (Variants 1, 2): IFPI L132
  • Mould SID Code (Variant 1): IFPI 0439
  • Mould SID Code (Variant 2): IFPI 0477
  • Rights Society: BIEM/MCPS
  • Label Code: LC 7654
  • Price Code: PY 940
  • Barcode (Text): 7 31457 00482 1
  • Barcode (Scanned): 731457004821
  • Barcode: 7 314-570-178-7 6
  • Matrix / Runout (runout side A): LXDJ+407+A ORLAKE
  • Matrix / Runout (runout side B): LXDJ+407+B ORLAKE
  • Barcode: 731457017913
  • Matrix / Runout: 314-57-179-1 A HubTv F/W RCE
  • Matrix / Runout: 314-57-179-1 B
  • Barcode: 731457017883
  • Matrix / Runout: LOCDJ407 10490071 01 %
  • Matrix / Runout (Mould on CD's inner ring): MADE IN THE UK BY PMDC
  • Mastering SID Code: IFPI L132
  • Mould SID Code: IFPI 0460
  • Barcode: 731457017845
  • Barcode: 6001210991038
  • Barcode (Text): 7 31457 00622 1
  • Barcode (String): 731457006221
  • Matrix / Runout: LONCD407 10490241 01 %
  • Mould SID Code (Variant 1): IFPI 0446
  • Mould SID Code (Variant 3): IFPI 0470
  • Mould SID Code (Variant 4): IFPI 0430
  • Mould SID Code (Variant 5): IFPI 0482
  • Mould SID Code (Variant 6): IFPI 0400
  • Mould SID Code (Variant 7): IFPI 0433
  • Matrix / Runout: LONX 407 A1
  • Matrix / Runout: LONX 407 B1 MPO
  • Barcode: 7 31457 00631 3
  • Price Code: PY 122
  • Matrix / Runout: B709166-01
  • Matrix / Runout (Side A Runout, stamped): DFI 97-10 LON 407 A1
  • Matrix / Runout (Side B Runout, stamped): DFI 97-10 LON 407 B1
  • Barcode (Text): 7 31457 00832 4
  • Barcode (Scanned): 731457008324
  • Matrix / Runout (Outer Ring): 570 083-2 02 >
  • Matrix / Runout (Hub Text): MADE IN GERMANY BY PMDC
  • Matrix / Runout: IFPI L003
  • Mould SID Code: IFPI 0102
  • Matrix / Runout: PROMOSAINTS 50714283 01

About All Saints

baixar álbum All Saints - Never EverAlbum herunterladen All Saints - Never Everdescargar álbum All Saints - Never Evertélécharger l'album All Saints - Never Everlast ned album All Saints - Never Everlataa albumi All Saints - Never Ever
British girl group active 1993 through 2001, 2006 through 2008 and from 2013 to present. Initial line-up (1993-1995) was known as

Real Name

    • Melanie Blatt
    • Shaznay Lewis
    • Nicole Appleton & Natalie Appleton

Name Vars

  • AllSaints
  • Allsaints
  • The Beach
  • ªüëû»¤óÄ

Members

  • Melanie Blatt
  • Shaznay Lewis
  • Nicole Appleton
  • Natalie Appleton

Interesting fact about Album

Did you know that All Saints' debut album *Never Ever* was a global phenomenon in 1997? It blended so many genres like Pop, R&B, and UK Garage, creating a sound that felt fresh yet familiar. The track "Never Ever" alone had over 20 remixes and versions, from radio edits to dub mixes. One standout version, Booker T’s Vocal Mix, became a fan favorite. The album’s success wasn’t just in Europe—it hit charts in places like Japan, South Africa, and Brazil too. Fun fact: the production team included Cameron McVey, who also worked with massive acts like Massive Attack and Neneh Cherry. It’s wild how this album brought together so many styles and talents into one cohesive project.

Comments

But I think I can sing like her riGht MummY LU wot aBout MummY I know I know I LU
empresacapivari
2025-03-12
2:00 is that Natalie or Nicole?
samuelangers220118
2025-03-12
MummY wE Hear Expression and GivE Affection alright MummY LU MummY tc K
cleitonnet
2025-03-11
Vibes. Oh the vibes. What a time it was to be alive. Last great decade
satxifra
2025-03-10
Quién es la ex de uno de los Gallagher
trishakaye10
2025-03-10
What an intro
kailucas
2025-03-09
2023 and this song brings back memories wow!! I was in my late teens my girlfriend would play this non stop! Sorry Carly!!
brainywomen
2025-03-08
I love this song sincerely
virginiadabbay
2025-03-07
Takes me back to my junior high days
akhmadfauziupn
2025-03-07
Best girlband
linecey9
2025-03-06
Princess ???
puckyireth
2025-03-05
Men of Culture @ 3:24
andyncr1993
2025-03-05
Is US version better then UK version? WHY did they need to do a US version...? Couldnt USA take the pool sceen, to much naked skin???
codemode
2025-03-05
talk about a masterpiece in pop music