Tripod by Andres Vedut & Christian Deep: A 2012 Electronic Gem That Still Hits
If you’re into that Tech House groove with a splash of classic House vibes, Tripod by Andres Vedut & Christian Deep is one of those albums that sneaks up on you. Released back in 2012 via Beach Music Records (Spain repping hard here), it’s not trying to reinvent the wheel—but man, does it spin the wheel just right. This isn’t some flashy overproduced thing; it’s raw, vibey, and straight-up hypnotic.
Let me tell ya about two tracks I can’t get out of my head: “In Allen” and the title track, “Tripod.”
“In Allen” feels like walking into an underground club where everyone knows the DJ is killing it but no one says anything because they're too busy losing themselves in the beat. The bassline? Sticky as hell. Like, you could slap peanut butter on toast and it wouldn’t be as smooth or addictive. It’s minimal without being boring—there’s this little synth riff that pops in every now and then, teasing your ears like, “You thought we were done? Nope!” It’s the kind of track that makes you nod along even if you're sitting at home doing laundry. Trust me, I’ve been there.
And then there’s “Tripod,” which hits different. It starts off unassuming, almost shy, but builds into this relentless groove machine. There’s something about how the percussion layers stack up—it’s like watching someone build a house of cards, except instead of stress, all you feel is pure satisfaction when it doesn’t collapse. By the time the main hook kicks in, you’re fully submerged. Honestly? It reminds me of late-night drives through empty streets, windows down, music loud enough to rattle your soul but quiet enough not to wake the neighbors.
Oh, and let’s not forget “The Lounge,” though I won’t dive deep into that one—it’s more chill, perfect for when you need to decompress after a wild night out or pretend you’re classy sipping cocktails somewhere fancy.
What gets me thinking, though, is how these guys managed to bottle up such a specific vibe. Listening to Tripod, it’s clear Andres Vedut and Christian Deep weren’t chasing trends—they were making music for people who live for the moment. And honestly? We could use more of that nowadays. So next time you’re scrolling Spotify looking for something real, give this album a shot. Just don’t blame me if you end up zoning out for hours.
P.S. Fun fact: I once played “Tripod” during a family dinner by accident. My uncle asked what kind of “elevator music” it was. Love you, Uncle Joe, but you clearly missed the memo.
