Boston Boyz - Come Wit Me

Review by Michel Ngilen

Album Review: Come Wit Me by Boston Boyz Released in 1996 under the iconic Strictly Rhythm label, Come Wit Me by Boston Boyz is a house music gem that still holds its own today. This electronic album feels like a snapshot of late '90s U.S. club culture—raw, groovy, and unapologetically danceable. With Dana Kelley at the helm as both producer and mixer, it’s no wonder this record has aged so well. The mastering touch of Don Grossinger adds just enough polish without losing that gritty house edge. Let’s talk tracks. First up, "Come Wit Me (The Original Mix)". If you’ve ever been to a basement party where everyone loses their minds on the dancefloor, this one would fit right in. It’s got that classic house vibe—thumping kicks, soulful vocal chops, and an infectious energy that pulls you in. You don’t just hear it; you feel it. It’s the kind of track that makes you wanna grab someone random and say, “Yo, have you heard this?!” Then there’s "Come Wit Me [Can Mix]", which flips things around with a slightly darker, more hypnotic twist. The rhythm here feels like a slow burn, building tension before exploding into these lush synth layers. It’s the type of remix you’d play when you’re trying to keep the vibe going but want to add a little mystery to the night. I remember hearing this mix for the first time and thinking, “Wait…is this even legal?” It’s THAT good. What stands out about Come Wit Me isn’t just the music itself—it’s how cohesive yet varied the whole project feels. Even though most of the tracks revolve around different versions of the same idea, each mix brings something fresh to the table. And honestly? That’s kinda rare for a house album from the '90s. Most records back then either stuck too hard to formula or tried way too many weird experiments. Boston Boyz found the sweet spot. Looking back, it’s wild to think this album came out over two decades ago. In a world now flooded with EDM drops and overly produced beats, Come Wit Me reminds us what house music is really about: connection, groove, and pure, unfiltered joy. Plus, shoutout to G. Pizarro for keeping everything tight on the A&R side. Dude clearly knew what he was doing. Final thought? Listening to this album feels like finding an old mixtape in your car and realizing it’s still fire. Like, seriously—how does something from 1996 slap harder than half the stuff dropping today? Maybe we should all take notes.

Artist: Boston Boyz
Album: Come Wit Me

Electronic

House

1996

Rating: 4.67

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Download

Filename: boston-boyz-come-wit-me.zip

MP3 size: 34.8 mb
FLAC size: 211.8 mb

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Tracks

Track	Duration	Preview
Come Wit Me [Can Mix]	07:13
Come Wit Me	07:58
Come Wit Me [Trail Mix]	06:49
Come Wit Me (Trail Mix)	6:50
Come Wit Me (Can Mix)	7:11
Come Wit Me (The Original Mix)	8:00

Video

Boston Boyz Come Wit Me

Images

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Catalog Numbers

SR 12423

Labels

Strictly Rhythm

Listen online

ouvir online
online anhören
kuunnella verkossa
online luisteren
écouter en ligne
lytte på nettet
ascolta in linea
lyssna på nätet
escuchar en línea

Formats

Vinyl
12"
33 ⅓ RPM
Test Pressing

Companies

Role	Company
Mastered At	Europadisk

Credits

Role	Credit
Mastered By	Don Grossinger
Other	G. Pizarro
Producer	Dana Kelley
Mixed By	Dana Kelley
A&r	G. Pizarro

Notes

Produced & mixed for D.K.M.A. Productions.
Mastered for Europadisk, Ltd.

About Boston Boyz

Prolific House Music producer hailing from Boston, MA. He died January 28th, 2013.

Real Name

Dana Kelley

Aliases

DKMA
Callisto
Krimp
Dr. Pompeii
Dana Kelley
Andrastea

myspace.com

Interesting fact about Album

Here’s a fun fact: The album *Come Wit Me* by Boston Boyz is a hidden gem in the world of house music. Released in 1996 under Strictly Rhythm, it features multiple remixes of the same track, each with its own vibe. Dana Kelley, the producer and mixer, really poured her talent into this project. And get this—G. Pizarro not only handled A&R duties but also contributed in other ways, showing how small teams can create big sounds. Mastered by Don Grossinger, the album still holds up as a classic for electronic music fans. It’s wild how one track can be reinvented so many times!