Bratři Ebenové - Chlebíčky

Review by Syamsul Noor

Album Review: Chlebíčky by Bratři Ebenové – A Slice of Czech Musical Charm Released in 2012, Chlebíčky by Bratři Ebenové is one of those albums that sneaks up on you. At first glance, it’s a mix of Pop/Rock, Folk, and World vibes with a dash of acoustic warmth. But as you dive deeper, the album feels like a cozy chat over coffee—or maybe something stronger, given its occasional punchy undertones. With credits ranging from Marek Eben (music, lyrics, vocals—you name it) to mastering wizard Andy "Hippy" Baldwin, this record has all the right hands behind it. The genres blend seamlessly here—folk rock meets pop sensibilities, tied together with storytelling lyrics that feel distinctly Czech. And while every track brings something unique to the table, two songs really stuck with me: “Houpám Se” and “Někdo Klepe.” “Houpám Se” opens the album with an almost hypnotic rhythm. The gentle sway of the melody feels like rocking back and forth in an old chair, lost in thought. It’s simple yet deeply evocative, thanks to Marek Eben’s heartfelt delivery. There’s no need for fireworks; just his voice and the stripped-down instrumentation create a moment so intimate you almost feel guilty listening. This track reminds us how powerful restraint can be—it doesn’t scream for attention but quietly demands your respect instead. Then there’s “Někdo Klepe,” which flips the mood entirely. Here, the energy picks up, blending playful folk elements with a touch of mystery. The title translates roughly to “Someone’s Knocking,” and damn if it doesn’t sound like someone knocking at your door—but not in a creepy way. More like an unexpected visitor bringing good news. The layered harmonies and lively arrangement make it impossible not to tap your foot or hum along. By the time the song ends, you’ll probably find yourself wondering who exactly is doing the knocking—and why they seem so friendly. What makes Chlebíčky stand out isn’t just its musical craftsmanship—it’s the little quirks sprinkled throughout. Tracks repeat under slightly different titles (“Poslední Valčík” vs. “Posledn\u00ed Valc\u00edk”), giving off the vibe of a band having fun rather than obsessing over perfection. Even the design team (shoutout to Karel Haloun and Luděk Kubík!) seems to have embraced this laid-back approach, crafting artwork that matches the album’s unpretentious charm. Reflection time: Listening to Chlebíčky feels like flipping through an old photo album. Some moments are vivid and full of life, others quiet and reflective, but each carries a sense of nostalgia. Weirdly enough, though, what stayed with me most wasn’t any single lyric or melody—it was the realization that music doesn’t always need to reinvent the wheel. Sometimes, it just needs to remind you what makes the ride worthwhile. Oh, and one last thing: whoever decided to name the album after sandwiches (chlebíčky) deserves a medal. Because honestly? After hearing these tracks, I kinda want a snack.

Artist: Bratři Ebenové
Album: Chlebíčky

Czech Republic

2008

Rating: 4.33

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Filename: brati-ebenov-chlebky.zip

MP3 size: 74.4 mb
FLAC size: 744 mb

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Tracks

Track	Duration	Preview
Poslední valčík	3:5
Poslední Valčík	3:03
Pomník	2:31
Houpám se	4:19
Zprava Dobrý	3:43
Pomník	02:31
To Nic	3:45
Nekdo Klepe	04:29
Houston	3:59
Někdo Klepe	4:29
Karlovy Vary	4:43
Někdo klepe	4:30
Poslední Valcík	03:03
XL	2:1
Chlebícky	04:19
Zprava dobrý	3:46
Houpám Se	4:18
Sloni	3:8
Folklorecek	03:39
To nic	3:45
Folkloreček	3:42
Chlebíčky	4:21
Houpám Se	04:18
Zprava Dobrý	03:43

Video

Bratři Ebenové - Houston

Ebeni Chlebíčky

Images

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Catalog Numbers

100P17
886972810829
88697281082
100P017

Labels

100PROmotion
Sony Music
Epic

Listen online

écouter en ligne
ouvir online
online anhören
ascolta in linea
kuunnella verkossa
online luisteren
lytte på nettet
escuchar en línea
lyssna på nätet

Formats

12 × File
FLAC
Album
Reissue
MP3
320 kbps
CD

Companies

Role	Company
Copyright (c)	100PROmotion
Phonographic Copyright (p)	Sony BMG Music Entertainment (Czech Republic) s.r.o.
Distributed By	Sony BMG Music Entertainment (Czech Republic) s.r.o.
Recorded At	Studio V
Mixed At	Sono Studio
Mastered At	Metropolis Mastering

Credits

Role	Credit
Design	Karel Haloun, Luděk Kubík,
Engineer	Ivo Viktorin (tracks: 2, 5 to 7, 10), Mikeš (tracks: 2, 5 to 7, 10), Petr Vavřík (tracks: 2, 5 to 7, 10), Tomáš Jakl (tracks: 1, 3, 4, 8, 9, 11, 12)
Mastered By	Andy "Hippy" Baldwin
Mixed By	Pavel Skála, Tomáš Jakl
Music By	Marek Eben
Lyrics By	Marek Eben
Photography By	Jaroslav Prokop
Producer	Šimon Knotek
Vocals	Marek Eben
Music Director	Pavel Skála

Notes

NAHRÁNO podzim 2007 ve studiu "V" a jaro 2008 ve studiích Sono Nouzov
MIX jaro 2008 ve studiích Sono Nouzov
MASTERING - Metropolis Group - Londýn
FOTO © 2008
DESIGN © 2008
© 2008 PROmotion
℗ + © 2008 SONY BMG MUSIC ENTERTAINMENT (Czech Republic) s.r.o.
Made in EU
___
Released in cardboard sleeve with 28-page booklet.

Barcodes

Barcode (Text): 8 86972 81082 9
Barcode (Scanned): 886972810829
Matrix / Runout: Sony BMG Music Entertainment 52690940/88697281082 21
Mastering SID Code (Variant 1, 2): IFPI LB47
Mould SID Code (Variant 1): IFPI 0771
Mould SID Code (Variant 2): IFPI 0742
Rights Society: GEMA
Rights Society: BIEM
Label Code: LC00199
Mould SID Code: IFPI 0771
Mastering SID Code: IFPI LB47

About Bratři Ebenové

Czech band featuring three brothers, sons of , nephews of

Name Vars

Bratři Ebeni
Skupina Bratří Ebenů

Members

David Eben
Kryštof Eben
Marek Eben

Interesting fact about Album

Did you know that the album *Chlebíčky* by Bratři Ebenové is like a musical patchwork quilt? It blends genres like Pop, Rock, Folk, and even World music, creating a unique acoustic experience. Released in 2012 in the Czech Republic, it features tracks with titles repeated in slightly different forms, almost like alternate versions or hidden gems scattered throughout. For instance, "Houpám Se" and "Poslední Valčík" appear multiple times with tiny variations in spelling. The album was a team effort, with Marek Eben not only providing vocals but also writing both the music and lyrics. And fun fact: three engineers—Petr Vavřík, Ivo Viktorin, and Mikeš—worked on nearly the same set of tracks, showing just how collaborative the process was!