Interno 10 by Buruciaka But: A Deep Dive into Dub and Dub Techno Vibes
If you’re a fan of electronic music with depth, Interno 10 by Buruciaka But is one of those albums that grabs your attention without screaming for it. Released in 2012 under Italy’s Synthience Records, this record dives headfirst into the realms of dub and dub techno, offering a soundscape that feels both nostalgic and refreshingly raw. It’s not perfect—nothing groundbreaking here—but its understated charm makes it memorable.
One standout track is "My Friend Is A Bit African." Don’t let the quirky title fool you; this tune has layers. The rhythm builds slowly, almost teasing you before it drops into a hypnotic groove. What sticks out is how organic it feels. There are moments where the percussion sounds like someone just messing around on an old drum machine, but somehow it clicks. You can imagine playing this at 3 AM in some dimly lit underground club, where everyone’s lost in their own little world. It’s moody, yes, but also oddly comforting.
Another track worth mentioning is "Cinematic Original Mix." As the name suggests, this one feels cinematic—but not in the typical orchestral sense. Instead, it creates visuals through sound alone. The atmospheric pads stretch out endlessly, while subtle basslines pulse underneath, keeping things grounded. Listening to it feels like wandering through an abandoned cityscape, where every echo tells a story. Maybe it was the rainy afternoon I first heard it, but something about this track stuck with me long after the album ended.
The rest of the tracks—"Cristalix Original Mix," "Dealer Original Mix," and "Monologue Original Mix"—round out the album nicely, though they don’t quite hit the same highs as the two mentioned above. They’re solid contributions, blending dark textures with minimal beats, but they lean more toward background listening rather than commanding your full focus.
What struck me most about Interno 10 was its restraint. In an era when so many producers try too hard to impress, Buruciaka But keeps things simple yet effective. Sure, there are minor imperfections—a synth line that could’ve been cleaner, a beat drop that feels slightly off—but these quirks add character. Sometimes, less really is more.
Final thought? This album reminds me of why I fell in love with electronic music in the first place. It doesn’t demand your attention—it earns it. And honestly, isn’t that rare these days? If you find yourself digging deep into Italian dub techno or need something chill yet intriguing, give Interno 10 a spin. Just don’t expect fireworks—this one’s all about the slow burn.
