Des Ark - Dont Rock The Boat Sink The Fucker

Review by Daniel Kent

Album Review: Don’t Rock The Boat Sink The Fucker by Des Ark (2011) Alright, let’s talk about Don’t Rock The Boat Sink The Fucker by Des Ark. Released in 2011 on Lovitt Records, this album is a wild ride through genres like Alternative Pop/Rock, Indie Rock, and Punk. It’s got that raw energy you’d expect from an indie project but with enough heart to make it feel personal. And trust me, it’s not one of those albums you forget after a single listen. First off, the tracklist reads like a mixtape made by someone who really gets life’s messy bits. Songs like “Girls Get Ruff” and “Ashley’s Song” hit different—like they’re pulling you into Aimee Argote’s brain for a hot second. Let’s break down why these two stuck with me. “Girls Get Ruff” kicks things off with this gritty, unapologetic vibe. You can tell Aimee wrote this one with something to say. Her vocals are sharp yet kinda vulnerable, like she’s letting you in on a secret. The guitar work feels urgent, almost like it’s chasing her voice around the room. It’s catchy as hell without being polished to death, which makes it feel real. Like, yeah, girls do get ruff, and here’s the anthem for it. Then there’s “Ashley’s Song,” which flips the mood entirely. This one slows things down just enough to let the lyrics sink in. It’s softer, sure, but don’t mistake softness for weakness—it packs an emotional punch. The drums from Ashley Arnwine give it this heartbeat rhythm that keeps everything grounded. By the end, I wasn’t even sure what hit me, but I knew I wanted to hear it again. What I love most about this album is how hands-on everyone involved seems to be. Aimee Argote doesn’t just sing; she plays piano, bass, bells, timpani—you name it. She’s basically a one-woman band, and Jonathan Fuller matches her energy behind the scenes, co-producing and mixing. Plus, shoutout to Emily Glaubinger and Nathan Gelgud for the artwork—it all ties together so well, like the visual equivalent of listening to the record. Oh, and fun fact: Kurt Ballou (yeah, that Kurt Ballou) helped record some tracks. So if you’re wondering why certain songs have that extra layer of heaviness, now you know. By the time you get to tracks like “My Saddle Is Waitin’ (C’mon Jump On It)” or “Howard’s Hour Of Shower,” you realize this isn’t just another indie rock album. It’s quirky, heartfelt, and sometimes straight-up weird—but in the best way possible. It reminds you that music doesn’t have to fit neatly into boxes to resonate. So, would I recommend Don’t Rock The Boat Sink The Fucker? Absolutely. If you’re into albums that feel alive and refuse to play it safe, this one’s for you. Honestly, my only complaint is that it ends too soon. But hey, maybe that’s the point—to leave you wanting more. Or maybe Des Ark just knows we’ll hit repeat anyway. Either way, they nailed it. Final thought: Listening to this album feels like having a deep conversation with a friend who swears too much but always has your back. And honestly? We could all use more friends like that.

Download Des Ark - Dont Rock The Boat Sink The Fucker

Artist: Des Ark
Album: Dont Rock The Boat Sink The Fucker

2011

Rating: 5.0

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Filename: des-ark-dont-rock-the-boat-sink-the-fucker.zip

MP3 size: 81.6 mb
FLAC size: 817.6 mb

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Tracks

Track	Duration	Preview
FTW Y'all!!!	04:25
Howard's Hour of Shower	04:07
Ashley's Song	03:27
Girls Get Ruff	5:06
Bonne Chance, Asshole	2:21
My Saddle Is Waitin' (C'mon, Jump On It)	5:46
My Saddle Is Waitin' (C'mon Jump On It)	5:46
Ashley's Song	3:27
Howard's Hour Of Shower	4:07
Ftw Y'all!!!	4:25
Bonne Chance Asshole	2:21
My Saddle is Waitin' (C'mon Jump on It)	05:46
FTW Y'all !!!	4:26
Two Hearts Are Better Than One	5:03
It's Only A Bargain If You Want It	3:50
It's Only a Bargain If You Want It	03:49

Video

Des Ark - Ashley's Song

Images

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Catalog Numbers

LOV 64
LOV064

Labels

Lovitt Records

Listen online

online luisteren
online anhören
écouter en ligne
lytte på nettet
ouvir online
escuchar en línea
kuunnella verkossa
ascolta in linea
lyssna på nätet

Formats

CD
Album
Vinyl
LP
Gold
Clear
White

Credits

Role	Credit
Artwork	Emily Glaubinger, Nathan Gelgud
Design	Aimée Argote, Derrik Busch, Emily Glaubinger
Drums	Ashley Arnwine (tracks: 3, 4, 5, 7), Jonathan Fuller (tracks: 1, 2, 8)
Guitar	Noah Howard (tracks: 3, 4, 5, 6, 7)
Handclaps	Jonathan Fuller (tracks: 1)
Voice	Jonathan Fuller (tracks: 1)
Performer	Kurt Ballou (tracks: 7)
Photography By	Erik Gamlem
Producer	Aimée Argote, Jonathan Fuller
Mixed By	Aimée Argote, Jonathan Fuller
Recorded By	Jonathan Fuller (tracks: 1, 2, 6, 8), Kurt Ballou (tracks: 3, 4, 5, 7)
Vocals	Aimée Argote
Electric Guitar	Aimée Argote
Piano	Aimée Argote
Bass	Aimée Argote
Kalimba	Aimée Argote
Bells	Aimée Argote
Timpani	Aimée Argote
Synthesizer	Aimée Argote
Written-By	Aimée Argote
Drawings	Emily Glaubinger, Nathan Gelgud
Other By	Emily Glaubinger, Nathan Gelgud
Other	Jonathan Fuller (tracks: A1)
Photography	Erik Gamlem
Produced	Aimee Argote, Jonathan Fuller
Bass Guitar	Aimee Argote

Notes

Tracks 1, 2, 6 and 8 recorded at Black Iris Studios, Richmond VA.
Tracks 3, 4, 5 and 7 recorded at God City Studio, Salem MA, with additional tracks recorded at Black Iris.
100 white, 100 gold, 200 clear (this), the rest black.
Tracks A1, A2, B2 and B4 recorded at Black Iris Studios, Richmond VA.
Tracks A3, A4, B1 and B3 recorded at God City Studio, Salem MA, with additional tracks recorded at Black Iris.
Songs 1, 2, 6, 8 recorded at Black Iris Studios, Richmond VA.
Songs 3, 4, 5, 7 recorded at God City Studio, Salem MA.
100 white (this), 100 gold, 200 clear, the rest black.

Barcodes

Matrix / Runout: >LOV64 K0A04B
Other (Mastering SID Code): IFPI L534
Other (Mould SID Code): IFPI 9216
Mastering SID Code: IFPI L534
Mould SID Code: IFPI 9216

About Des Ark

Name Vars

Des_Ark

Members

Tim Herzog
Ashley Arnwine
Aimee Argote

Interesting fact about Album

Did you know that the 2011 album *Don’t Rock The Boat Sink The Fucker* by Des Ark is a wild mix of creativity and DIY spirit? Aimee Argote, the mastermind behind the project, didn’t just write and sing—she played almost every instrument on the album, from electric guitar to timpani and even kalimba. The album’s raw energy was captured with help from multiple producers, including Kurt Ballou of Converge fame, who added his magic to several tracks. With its quirky track titles like “My Saddle Is Waitin’ (C’mon Jump On It)” and contributions from talented artists like Emily Glaubinger on artwork, this record feels like a true labor of love.