Eugene D'Albert Eva Marton René Kollo Kurt Moll Bernd Weikl, Münchner Rundfunkorchester, Marek Janowski - Tiefland

renanlage

Review by Renan Lage

Tiefland by Eugene D'Albert: A Forgotten Gem That Still Haunts Let’s get one thing straight—this isn’t your typical classical album. Released in 1983 on RCA Red Seal, Tiefland is an opera that sneaks up on you. It’s not flashy or overly dramatic like some of its Romantic-era cousins, but there’s something raw and haunting about it. Maybe it’s the way Eugene D’Albert’s music wraps itself around you, or maybe it’s just how damn good everyone sounds here. Whatever it is, this record sticks with you. The cast? Oh man, they’re stellar. Eva Marton, René Kollo, Kurt Moll—they all bring their A-game. But let me tell you about two tracks that hit hard for me personally: "Vorspiel" and "2. Akt, 5.-10. Szene." These aren’t just pieces of music; they feel like moments frozen in time. First off, the "Vorspiel"—it starts off quiet, almost shy, like it doesn’t want to disturb you. Then BAM! The orchestra kicks in, and suddenly you’re standing at the edge of a cliff, staring into the abyss. Marek Janowski leads the Münchner Rundfunkorchester with such precision, yet there’s warmth too. You can hear every little detail—the strings shimmering, the brass growling softly—it’s alive. This intro sets the tone perfectly, making you feel like you’ve stepped into another world. Honestly, I’ve listened to it so many times now, and each time, it feels fresh. Like meeting an old friend who always has something new to say. Then there’s "2. Akt, 5.-10. Szene," which hits different. This part is where things get real emotional. Kurt Moll as the bass vocalist absolutely owns his role here. His voice is deep, rich, like molasses dripping over gravel. When he sings, you don’t just hear notes—you feel weight, struggle, longing. And Eva Marton? She counters him beautifully, her soprano cutting through like sunlight breaking clouds. Their voices intertwine in ways that make your chest tighten. It’s not perfect singing—it’s human singing. Flawed, powerful, unforgettable. What really makes this album stand out though is how grounded it feels. There’s no pretentiousness here, no attempt to wow you with unnecessary fireworks. Instead, it tells a story—a dark, brooding tale set against sweeping landscapes painted with sound. The choir (shoutout to Chor des Bayerischen Rundfunks!) adds layers of texture without ever overshadowing the soloists. Every element works together seamlessly, thanks largely to Janowski’s steady hand. Now, here’s the kicker—I didn’t expect to connect with this album as much as I did. Opera isn’t usually my jam, but Tiefland broke through my defenses. Maybe it’s because it reminds me of those late-night drives when everything outside feels still, yet inside, emotions run wild. Or maybe it’s just because albums like this don’t exist anymore. They’re relics from a time when music wasn’t rushed, when people took their time to craft something meaningful. So yeah, if you’re looking for background noise while cooking dinner, skip this. But if you want an experience—one that leaves you breathless and maybe even a little shaken—give Tiefland a spin. Just don’t blame me if you find yourself lost in its depths. Oh, and one last thing: whoever decided to slap Jan Brueghel the Elder’s painting on the cover deserves a medal. It fits perfectly. Who knew art could match music so well?

Table of Contents

Download

Filename: eugene-dalbert-eva-marton-ren-kollo-kurt-moll-bernd-weikl.zip
  • MP3 size: 35 mb
  • FLAC size: 337.4 mb

Tracks

TrackDurationPreview
Tiefland
1. Akt, 4. Szene (Fortsetzung) - 7. Szene11:33
Vorspiel, 1.-4. Szene28:10
2. Akt, 1.-4. Szene24:18
1. Akt, 1.-4. Szene (Anfang)17:48
2. Akt, 5.-10. Szene24:58
1. Akt, 8.-11. Szene27:47

Images

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Catalog Numbers

RL 70038

Labels

RCA Red Seal

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Formats

  • 3 × Vinyl
  • LP Box Set

Credits

RoleCredit
Alto VocalsAnne Gjevang
Baritone VocalsBodo Brinkmann
Bass VocalsKurt Moll
ChoirChor Des Bayerischen Rundfunks
Chorus MasterGordon Kember
Composed ByEugene D'Albert
ConductorMarek Janowski
EngineerAlfons Seebacher
OrchestraMünchner Rundfunkorchester
PaintingJan Brueghel d.Ä.
Recording SupervisorTheodor Holzinger
Soprano VocalsAngela Feeney
Tenor VocalsNorbert Orth

Notes

  • Mit Textbeilage
  • Program notes enclosed
  • Texte annexé

About Eugene D'Albert Eva Marton René Kollo Kurt Moll Bernd Weikl, Münchner Rundfunkorchester, Marek Janowski

Scottish-born German pianist and composer, born 10 April 1864 in Glasgow, Scotland, UK, died 3 March 1932 in Riga, Latvia.

Real Name

    • Eugène Francis Charles dAlbert

Name Vars

  • D'Albert
  • E. D'Albert
  • E. DAlbert
  • E. d' Albert
  • Eugen d'Albert
  • Eugene D'Albert
  • Eugèn d'Albert
  • Eugène D'Albert
  • Eugène DAlbert
  • Professor Eugen D'Albert
  • d' Albert
  • d'Albert
  • Д'Альбер
  • Э. Д'Альбер
  • Эжен Д'альбер
  • Эжен Дальбер
  • Эжен ДАльбер
  • Эжен дАльбер

Interesting fact about Album

Here’s something cool: The album *Tiefland* isn’t just a recording—it’s like a time capsule of talent. Released in 1983, it brought together some of Germany’s finest classical voices, including Eva Marton and René Kollo, alongside the rich sounds of the Münchner Rundfunkorchester. What makes it stand out? The cover art features a painting by Jan Brueghel the Elder, tying centuries-old visual art to Eugene D’Albert’s romantic opera. It’s like two worlds—past and present—colliding in one masterpiece.