Album Review: Ivory Coast by Gauthi Helle & Kally Pondi
Alright, let’s talk about Ivory Coast, the 1999 gem from Gauthi Helle and Kally Pondi. This album is a warm, earthy blend of Folk, World, and Country vibes with a distinctly African heartbeat. Released in the Netherlands under the Weton-Wesgram label, it feels like a postcard from another time and place—courtesy of Jean-Luc Barreau’s evocative photography on the cover.
Now, I gotta say, this isn’t your typical polished studio project. It’s raw, real, and kinda messy in the best way possible. The tracks feel like they were born out of late-night jam sessions or maybe even a spontaneous village gathering. And honestly? That’s what makes it so special.
Let me dive into two tracks that stuck with me. First up, “Beau Jeunito.” Man, this one hits different. It starts with these gentle guitar plucks that feel like sunlight filtering through leaves. Then Kally’s voice comes in—soft but full of soul—and you’re hooked. There’s something about the melody that feels nostalgic, like remembering a summer fling you never actually had. You know those songs that make you close your eyes and just…feel? Yeah, that’s this one.
Then there’s “Mama Telep,” which is just pure joy bottled up in four minutes. The rhythm is infectious, the kind that sneaks up on you when you're doing dishes and suddenly you're dancing around the kitchen. The harmonies between Gauthi and Kally here are golden—they sound like they’re having the time of their lives recording it, and honestly, it’s contagious. By the second chorus, you’ll find yourself humming along, even if you don’t understand all the lyrics (Google Translate is your friend).
One thing I love about Ivory Coast is how unpretentious it feels. It doesn’t try to be anything other than what it is—a celebration of life, love, and culture. Tracks like “Lanmou Pani Fontie” and “Ritha Békelé Jocké” keep things grounded with heartfelt storytelling, while tunes like “Di Bem We” bring an upbeat energy that’s impossible not to vibe with.
Reflecting on this album, I can’t help but think about how music connects us across borders. Here we have an African-inspired record made in the Netherlands, and somehow it feels universal. Like, who cares where it came from? Good music just speaks for itself. Oh, and fun fact—I listened to this album while watering my plants, and now my ferns look happier. Coincidence? Maybe. But hey, don’t underestimate the power of good vibes.
If you’re into folk sounds with a worldly twist, do yourself a favor and give Ivory Coast a spin. Just don’t blame me if you end up daydreaming about faraway places—or accidentally redecorating your living room to match the album art.
