Review by Iya
Piano Tool by Gebreski: A Tech House Gem That Sticks With You
Let’s get real for a sec—when I first hit play on Piano Tool by Gebreski, I wasn’t expecting much. Just another tech house album from Serbia? Cool, sure. But then something happened. This record didn’t just sit in the background; it grabbed me by the feels and wouldn’t let go. Released back in 2016 under The Purr label, this little powerhouse of an album still feels fresh today. And yeah, maybe it’s not perfect—but that’s kinda why I love it.
The title track, “Piano Tool,” is where things really kick off. Man, this one hits different. It’s got this raw, stripped-back vibe with a piano loop so hypnotic you almost forget it’s electronic music. Like, how does Gebreski make something so simple feel so alive? There’s no overproduced nonsense here—just pure groove. Every time that bassline drops, it’s like your feet have no choice but to move. Honestly, I’ve caught myself zoning out to this track while pretending to work, only to realize I’ve been nodding my head for ten minutes straight. Embarrassing? Maybe. Awesome? Absolutely.
Then there’s “Roots.” Oh man, if “Piano Tool” gets you moving, “Roots” digs deep into your soul. It’s darker, grittier, but somehow still warm. The percussion has this earthy texture to it, like Gebreski took samples straight from the ground beneath his feet. You can hear echoes of Serbian spirit in there—not in some cheesy nationalistic way, but more like a subtle nod to where he comes from. It’s the kind of track that makes you wanna close your eyes and disappear into the sound. By the end, you’re left wondering how such minimal elements can create such a big emotional punch.
What sticks with me about this album isn’t just the beats—it’s the mood. It doesn’t try too hard to impress anyone, which ironically makes it all the more impressive. Listening to Piano Tool feels like hanging out with someone who’s effortlessly cool. They don’t need flashy clothes or loud stories to stand out—they just are who they are, and that’s enough.
Here’s the thing though: as much as I rave about these tracks, part of me wonders if Gebreski even cares about fame or recognition. Maybe he made this album purely for himself, as a way to process life through rhythm and melody. If that’s true, then damn—that’s beautiful. In a world obsessed with streaming numbers and social media clout, Piano Tool reminds us that sometimes art exists just because it needs to. And honestly? We could use more of that.
