Album Review: Plays Requests by Harold "Tyke" Nivers
Harold "Tyke" Nivers’ Plays Requests is a quirky, genre-blurring ride through jazz and electronic soundscapes with a healthy dose of experimental flair. Released under the Not On Label banner, this US-based project feels like an unpolished gem that refuses to be boxed in. It's a mixtape of sorts—part nostalgic nod, part sonic adventure—that leans into space-age vibes while keeping its feet firmly planted in classic tunes.
The album’s tracklist reads like a playlist from another dimension. You’ve got standards like “My Funny Valentine” and “Hey Jude,” but they’re not your grandma’s versions (well, unless your grandma was really into Moog synths). Two tracks, in particular, stuck with me long after the needle lifted.
First up, there’s “Down At Papa Joes (Honky Tonk Piano).” It’s chaotic in the best way possible, like walking into a smoky bar where the piano player forgot how to follow the rules. The honky-tonk vibe collides headfirst with Tyke’s signature electronic twists, creating something that’s equal parts kitschy and cool. I couldn’t help but imagine some retro sci-fi lounge act playing this as alien patrons clinked their glasses together. It’s weirdly addictive—you’ll either love it or scratch your head, but you won’t forget it.
Then there’s “Java & Yakaty Sax.” Oh man, this one hits different. It’s groovy, punchy, and somehow makes you feel like you’re both at a coffee shop and on a rocket ship at the same time. The sax lines are sharp enough to cut glass, but they’re smoothed over by these lush electronic layers. It’s the kind of track that could soundtrack a vintage car commercial or a late-night existential crisis. Either way, it works.
What’s wild about Plays Requests is how Tyke takes these familiar songs and flips them into something entirely new without losing their soul. Tracks like “Battle Hymn Of The Republic” and “Sentimental Journey” get reimagined in ways that might make purists cringe—but honestly? That’s what makes it so fun. This isn’t background music; it demands your attention.
By the time the last notes of “Ebb Tide” fade out, you’re left wondering what just happened. Was it brilliant? Messy? A little of both? Maybe that’s the point. Harold "Tyke" Nivers doesn’t seem interested in perfection—he’s chasing something more interesting. And honestly, I’m here for it.
Final thought: If David Lynch ever decided to open a theme park based on his movies, Plays Requests would be the soundtrack blasting from every speaker. Weird, right? But also kinda perfect.
