Murder Music 2 by Lil' Rue and Aone: A Raw, Unfiltered Ride Through Gangsta Hip Hop
Yo, let me tell ya about Murder Music 2. If you're into that gritty gangsta hip-hop vibe, this album from 2014 is a must-listen. Released under All N Da Doe Music, it’s got that unapologetic street energy with beats that slap hard enough to wake your neighbors. The collab between Lil’ Rue and Aone feels like they’re trading bars over late-night hood stories, and honestly? It works.
Now, I ain’t gonna lie—there are some bangers on here, but two tracks really stuck with me: “Strap” and “She Walkin’.” Let’s break ‘em down real quick.
First up, “Strap.” Man, this one hits different. From the jump, the beat’s dark and brooding, setting the tone for what feels like a cinematic scene in your head. Lil’ Rue comes through with those cold, calculated lines that make you feel like he’s seen way too much life already. It’s not just flexing—it’s storytelling. You can picture exactly what he’s talking about, and trust me, it ain’t pretty. But that’s the point. This track reminds you why gangsta rap still matters; it’s raw truth wrapped in bass-heavy production.
Then there’s “He Walkin’,” which switches things up a bit. It’s smoother, more laid-back, but don’t get it twisted—this joint bangs. The hook is catchy as hell, and when Aone jumps in, his flow complements Rue perfectly. They talk about women moving with purpose (and curves), but somehow it doesn’t come off cheesy. Instead, it’s confident without being try-hard. Perfect for cruising around town or turning up at a party.
Other standout joints include “Never Give Up,” which has motivational undertones despite its hardcore shell, and “Ridin’ In My New Coupe,” where flexing meets reality checks. Oh, and shoutout to “Since I Was 16”—that one digs deep into their come-up journey, making you appreciate how far they’ve come.
What makes Murder Music 2 stand out isn’t just the lyrics or the beats—it’s the authenticity. These dudes aren’t pretending to be something they’re not. They’re spitting straight from the soul, no filter. And yeah, sure, some tracks might blur together after a while, but that’s kinda expected with projects like this. It’s less about perfection and more about vibes.
Here’s the thing though—listening to this album made me think about how music can transport you. Like, I’ve never stepped foot in the environments these guys describe, but their words paint pictures so vivid, it almost feels personal. That’s dope. Almost poetic, even if it’s wrapped in profanity and pain.
Random thought to leave you with: If Murder Music 2 was a movie, it’d probably be rated R, banned in half the country, and critically acclaimed anyway. Just saying.
