M Haydn, B Marcello, W De Fesch, G Finger, A Vivaldi, Zdeněk Pulec, The Czech Philharmonic Chamber Orchestra, Libor Pešek - Zdeněk Pulec Trombone Recital

mikeabundo

Review by Mike Abundo

Zdeněk Pulec Trombone Recital: A Wild Ride Through Baroque Brilliance Alright, let’s get one thing straight—this album slaps. Released in 1986 under the Czechoslovakian label Supraphon, Zdeněk Pulec’s trombone recital isn’t just some dusty old classical record you’d find buried in your grandma’s attic. Nah, this is a firestorm of Baroque energy with enough swagger to make Vivaldi himself nod in approval. With credits like Libor Pešek and František Vajnar on board, plus The Czech Philharmonic Chamber Orchestra backing it all up, this sucker screams craftsmanship. But what really steals the show? Zdeněk Pulec’s trombone playing—it's bold, brassy, and borderline unhinged in the best way possible. Let me break it down for ya. First off, there’s “Sonata for Trombone, Strings & Continuo.” This track hits hard right outta the gate. It opens with that iconic Largo vibe—slow, brooding, almost teasing you before exploding into life. Pulec’s tone here is so rich it feels like molten gold pouring through your ears. By the time the Allegro kicks in, you’re hooked. The interplay between the strings and the trombone is tight as hell, but Pulec doesn’t just blend in—he dominates. You can tell he ain’t afraid to flex his chops, throwing these sharp, biting notes that cut through the mix like a knife through butter. If you don’t feel something visceral listening to this, check your pulse—you might be dead. Then there’s “II. Tempo di Menuetto,” which flips the script entirely. Where the first track was all drama and grit, this one’s playful as f. Picture an aristocratic ballroom where everyone’s trying not to spill their wine while pretending they know how to dance. Pulec nails that minuet rhythm with precision, but he sneaks in these little flourishes that give it personality. Like, dude clearly knows the rules, but he’s having fun breaking ‘em too. And when the harpsichord jumps in, holy crap, it’s like stepping into a time machine. Suddenly, you’re sipping mead in some candlelit castle instead of sitting in your living room wearing sweatpants. That contrast keeps things fresh, man. Real talk. Now, here’s the kicker—listening to this album feels like eavesdropping on history itself. These composers (Haydn, Marcello, Vivaldin’ around) were writing music centuries ago, yet Pulec makes it sound alive today. He doesn’t treat it like museum art; he wrestles with it, breathes new fire into it. And honestly? That’s rare. Too many classical albums just phone it in, playing it safe and sterile. Not this one. This is raw, unfiltered passion wrapped in period-authentic packaging. But hey, weird thought—what if Zdeněk Pulec got transported back to the Baroque era? Imagine him rolling up to Venice or Prague with his trombone, blowing minds left and right. Would they hail him as a genius or burn him at the stake for witchcraft? Either way, I’d pay good money to see that movie. So yeah, Zdeněk Pulec Trombone Recital earns its spot in the pantheon of badass Baroque records. It’s not perfect—some transitions could hit harder, and maybe the pacing drags slightly in spots—but damn if it doesn’t leave a mark. Listen to it loud, listen to it often, and remember: sometimes the past has more edge than the present.

Table of Contents

Download

Filename: m-haydn-b-marcello-w-de-fesch-g-finger-a-vivaldi-zdenk-pulec.zip
  • MP3 size: 153.3 mb
  • FLAC size: 1155 mb

Tracks

TrackDurationPreview
III. Largo1:33
Sonata in E-flat Maj. for Alto-Trombone & Strings
II. Tempo di Menuetto2:07
II. Allegro1:45
III. Adagio, Allegro Comodo2:07
Sonata in e-min. for Trombone, Strings & Harpsichord
Sonata for Trombone, Strings & Continuo
I. Allegro Moderato1:03
I. Adagio1:01
Larghetto for Trombone & Strings7:28
IV. Allegro0:45
III. Largo (a la Siciliana)2:59
Sonata No.5 for Trombone, Strings & Continuo
II. Fuga. Allegro1:41
Sonata for Trombone, Strings & Harpsichord
III. Andante Cantabile2:36
III. Minuetto I & II2:25
II. Allegro con Spirito2:43
II. Alla Breve1:59
IV. Allegretto1:09
I. Largo2:04

Images

télécharger l'album M Haydn, B Marcello, W De Fesch, G Finger, A Vivaldi, Zdeněk Pulec, The Czech Philharmonic Chamber Orchestra, Libor Pešek - Zdeněk Pulec Trombone Recital
descargar álbum M Haydn, B Marcello, W De Fesch, G Finger, A Vivaldi, Zdeněk Pulec, The Czech Philharmonic Chamber Orchestra, Libor Pešek - Zdeněk Pulec Trombone Recital
last ned album M Haydn, B Marcello, W De Fesch, G Finger, A Vivaldi, Zdeněk Pulec, The Czech Philharmonic Chamber Orchestra, Libor Pešek - Zdeněk Pulec Trombone Recital
baixar álbum M Haydn, B Marcello, W De Fesch, G Finger, A Vivaldi, Zdeněk Pulec, The Czech Philharmonic Chamber Orchestra, Libor Pešek - Zdeněk Pulec Trombone Recital

Catalog Numbers

1110 3617

Labels

Supraphon

Listen online

  • écouter en ligne
  • ascolta in linea
  • lytte på nettet
  • online anhören
  • lyssna på nätet
  • escuchar en línea
  • online luisteren
  • ouvir online
  • kuunnella verkossa

Formats

  • Vinyl
  • LP
  • Album
  • Stereo

Credits

RoleCredit
ConductorFrantišek Vajnar
OrchestraPrague Chamber Orchestra
TromboneZdeněk Pulec

Notes

  • Recorded at the Supraphone studio at the house of Artists, Prague
  • Between 26 January - 10 April, 1983
  • Cover photo: Pavel Vacha, 1984
  • Cover Design: Dimitrij Gaydecka, 1984

Barcodes

  • Matrix / Runout (A): E 6633
  • Matrix / Runout (B): E 6634
  • Other (Manufacturing date code): 86 1

About M Haydn, B Marcello, W De Fesch, G Finger, A Vivaldi, Zdeněk Pulec, The Czech Philharmonic Chamber Orchestra, Libor Pešek

Austrian composer of the Classical period (September 14, 1737, Rohrau, Austria - died August 10, 1806, Salzburg, Austria). Younger brother of . Michael, called Hanssmichl by his father, received his first musical training in Rohrau, and in nearby Hainburg, where he was a choirboy. In 1745 he followed in brother Josephs footsteps and became a chorister in St. Stephen's Cathedral, Vienna. At St. Stephens he received rudimentary instruction in theory and practice of music. He studied violin and organ, and eventually wrote his first known work in 1754. The brilliant Missa in honorem Sanctissimae Trinitatis , which by far outshines brother Josef's first works of the genre. Shortly after he left the choir-school, Michael was appointed Kapellmeister at Nagyvárad (Großwardein, Oradea) and later, in 1762, at Salzburg. The latter office he held for forty-three years, during which time he wrote over 360 compositions for the church and much instrumental music. He was acquainted with Mozart, who had a high opinion of his work, and was the teacher of both Carl Maria von Weber and Anton Diabelli.

Real Name

    • Johann Michael Haydn

Name Vars

  • Haydn
  • Haydn (Michael)
  • Haydn M.
  • Haydn, M.
  • J. M. Haydn
  • J. Michael Haydn
  • J.M. Haydn
  • J.M.Hayden
  • J.M.Haydn
  • Joahnn Michael Haydn
  • Joh. Mich. Haydn
  • Joh. Michael Haydn
  • Johan Michael Haydn
  • Johan Michaël Haydn
  • Johann Haydn
  • Johann M. Haydn
  • Johann Michael Hayden
  • Johann Michael Haydn
  • Johann Michaël Haydn
  • Johann-Michael Haydn
  • M Haydn
  • M. Haydn
  • M.Haydn
  • M.ϤÉó
  • Mich. Haydn
  • Michael
  • Michael Hayda
  • Michael Hayden
  • Michael Haydn (1737-1806)
  • Michaël Haydn
  • Michel Hayden
  • Michel Haydn
  • Michel Háydn
  • Й.М. Гайдн
  • Йохан Михаел Хайдн
  • М. Гайдн

Interesting fact about Album

Did you know? The album *Zdeněk Pulec Trombone Recital* is a hidden gem of Baroque classical music, released in 1986 in Czechoslovakia. It features trombonist Zdeněk Pulec performing intricate sonatas by composers like Vivaldi and Marcello, backed by the Prague Chamber Orchestra. What makes it special? The trombone isn’t usually the star in Baroque music—it’s more of a supporting player. But here, Pulec puts it front and center, showing off its rich, soulful tones. Tracks like "Sonata in E-flat Major for Alto-Trombone & Strings" highlight just how versatile and expressive the instrument can be. A true celebration of an underrated sound!