Album Review: Absolut Rave Vol 1 by Negrobeat
If you’re into electronic music that punches you in the face (in a good way), Absolut Rave Vol 1 by Negrobeat is worth your time. Released back in 2010 on the Swedish label KMPLX, this album dives headfirst into genres like Gabber, Hardcore, Happy Hardcore, and Breakcore. It’s not for the faint-hearted—or anyone who values peace and quiet—but if you’re looking for chaotic energy wrapped up in beats that feel like they're trying to escape the speakers, you’ve hit the jackpot.
Let’s talk tracks. First up, “Pastor Throw” grabs your attention right away with its relentless pace and distorted kicks. The track has this wild, almost unhinged vibe—like someone let a rave loose in a cathedral. You can practically hear the stained glass windows shaking. It sticks in your head because it doesn’t hold back; it’s messy, loud, and kinda genius. There’s no pretense here, just pure adrenaline-fueled madness.
Another standout is “Round Up The Pensioneers.” Don’t ask me what the title means—I have no clue—but damn, does it slap. This one mixes breakneck drum patterns with these quirky little melodies that sound like retro video game music gone rogue. It’s the kind of track that makes you wanna grab an air guitar or, ya know, start a mosh pit in your living room. Something about the way it balances chaos with moments of weird catchiness keeps pulling me back.
The rest of the album follows suit, blending aggressive beats with surprising twists. Tracks like “Is It Time To Get Serious?” and “Anti-pope” keep the energy high while throwing curveballs at you every now and then. And props to Negrobeat for naming a song “The Glass Is Half Full”—you don’t expect such a positive spin in a genre known for its intensity.
What’s cool about Absolut Rave Vol 1 is how unapologetically raw it feels. It’s not polished to perfection, and honestly, I think that’s why it works. It reminds me of those underground raves where everything feels slightly out of control but electrifying all the same. Listening to this album is like stepping into a time machine set to early 2000s rave culture, except filtered through a Swedish lens.
Final thoughts? If you’re into music that pushes boundaries and doesn’t care much for rules, give this one a shot. Just maybe warn your neighbors first. Oh, and fun fact: after listening to this album, I’m pretty sure my cat started glaring at me more than usual. Coincidence? Probably not.
