Album Review: Glanzbegierde by Niere – A Genre-Bending Sonic Adventure
Alright, let’s dive into Glanzbegierde, the 2020 release from German artist Niere. This album is like a musical kaleidoscope—blending Hip Hop, Electronic, Funk/Soul, and Jazz in ways that feel both experimental and smooth as butter. Released under the NZP label, it’s one of those records where you’re not quite sure what to expect next, but somehow everything clicks.
First off, let me say this: if you’re someone who loves digging into layers of sound, this album will keep you busy for days. Tracks like “Jaques Schabrack” and “Handverlesen” stuck with me big time, and here’s why.
“Jaques Schabrack” kicks things off with a vibe that feels like walking through a neon-lit city at night. The beat has this hypnotic Trip Hop groove, while the jazzy undertones sneak up on you when you least expect it. It’s got this cool mix of chill and edge—a little bit Acid Jazz, a little bit futuristic. I kept replaying it because there’s always some new detail to catch, like a subtle synth line or an unexpected drum fill. Feels like Niere was just vibing out in the studio and decided to throw all their favorite sounds together. And honestly? It works.
Then there’s “Handverlesen,” which hits different. This track leans more into the Smooth Jazz side of things, but don’t get too comfy—it’s still packed with surprises. There’s this funky bassline running underneath, and every now and then these electronic blips pop up outta nowhere. It’s the kind of song that makes you want to nod your head and zone out at the same time. Plus, the way the melodies weave in and out gives it this dreamy quality, almost like you’re floating through clouds made of saxophones and beats.
The rest of the album keeps the energy going strong. Songs like “Bauvorhaben” and “Possenreißer” bring their own unique flavors to the table, mixing Jazz-Funk with darker, moodier tones. Meanwhile, tracks like “Schmusi” and “Angebracht” lean softer, perfect for late-night listening sessions. Honestly, Niere seems to have no problem jumping between styles without losing the thread of the album. That takes skill.
What really stands out about Glanzbegierde is how cohesive it feels despite its genre-hopping madness. Sure, it’s a wild ride, but it never feels chaotic. Instead, it’s like flipping through channels on a futuristic TV where every station plays something awesome—but they’re all connected somehow.
Here’s the thing though: halfway through my third listen, I realized this album isn’t trying to fit neatly into any box. Maybe that’s the point. It’s unpredictable, playful, and unapologetically itself. Kinda like finding a hidden gem in a thrift store—you didn’t know you needed it until you stumbled across it.
So yeah, give Glanzbegierde a spin if you’re into music that doesn’t play by the rules. Just don’t be surprised if you find yourself zoning out during “Jaques Schabrack” or grooving hard to “Handverlesen.” Oh, and fun fact: apparently “glanzbegierde” roughly translates to “lust for splendor” in English. Pretty fitting title, huh? Who knew Germany could drop such a slick, genre-mashing masterpiece? Definitely worth adding to your playlist.
