Album Review: Noi My Us by Pierluigi Castellano
Let’s talk about Noi My Us, a hidden gem from 1990 that feels like stepping into an Italian dreamscape. This album is one of those rare finds where classical meets neo-classical, contemporary vibes, and even a sprinkle of minimalism. It’s not your typical "background music" kind of record—it demands attention, but in the best way possible.
First off, props to Pierluigi Castellano for pulling together such a killer lineup. You’ve got Dante Cianferra on cello, Ugo Gennarini weaving magic with clarinet, and Patrizia Nasini adding haunting vocals. Oh, and let’s not forget Pierluigi himself on synthesizer, tying it all together with these lush, atmospheric layers. The whole thing has this timeless quality, like it could’ve been made yesterday or fifty years ago.
Now, if I had to pick two tracks that stuck with me, they’d be Towitara (Lost In Dream) and Traviata (Baccanale).
Towitara is just… wow. From the first note, it pulls you into this dreamy, otherworldly place. The violins (shoutout to Antonio Leofreddi and Davide Amodio) create this swirling melody that feels both intimate and vast at the same time. And then there’s the clarinet—Ugo Gennarini really knows how to make it sing. It’s the kind of track that makes you stop whatever you’re doing and just listen. Like, whoa, what am I even supposed to do with my feelings after hearing this?
Then there’s Traviata (Baccanale), which flips the script entirely. If Towitara is a soft whisper, this one’s a wild party. The trumpet work by Massimo Bartoletti gives it this bold, brassy energy, while the strings add this dramatic tension underneath. It’s chaotic in the best way, like stumbling into a secret carnival somewhere in Italy. By the end, you’re left breathless, wondering how something so structured can feel so free.
What I love most about Noi My Us is how unpredictable it is. One moment you’re floating through serene soundscapes, and the next you’re caught up in something raw and primal. It’s like Pierluigi Castellano couldn’t decide whether he wanted to soothe you or shake you awake—and honestly? That’s what makes it so good.
Released under Mantra Records back in ’90, this album might fly under the radar for many, but trust me, it deserves a spot in your collection. Whether you’re into classical or just looking for something different, Noi My Us will surprise you.
Oh, and here’s a random thought to leave you with: listening to this album feels like eating gelato in Rome—rich, unforgettable, and kinda life-changing. Now go find yourself a copy before someone else does!
