Sidney Bechet - Et Ses Vogue Jazzmen Avec Jonah Jones

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Review by Antonio Iglesias Arias

Sidney Bechet’s Et Ses Vogue Jazzmen Avec Jonah Jones – A Swingin’ Stroll Through Parisian Jazz Bliss Alright, let me just say this upfront: Sidney Bechet and Jonah Jones working together feels like jazz royalty showing up at your door uninvited—and you’re so glad they did. This album, released under the labels Swing and Vogue in France, is a masterclass in swing with that unmistakable French je ne sais quoi. It’s not perfect—it doesn’t need to be—but it’s got soul for days. The lineup? Pure magic. You’ve got Benoit Quersin holding down the basslines like he was born to do it (spoiler: he kinda was), Marcel Blanche keeping time on drums without ever overdoing it, André Persiani tickling those piano keys like they owe him money, and of course, Sidney Bechet blowing his soprano saxophone like it’s an extension of his heart. Oh, and Jonah Jones—man, does he bring the heat on trumpet or what? These guys don’t just play music; they tell stories, laugh, cry, and dance all at once. Now, onto the tracks. There are some bangers here, but two stuck out to me like sore thumbs—only in the best way possible. First off, “Chinatown My Chinatown.” I mean, come on. That opening riff from Bechet grabs you by the collar and says, “Hey, listen up!” Then Jonah Jones steps in with his trumpet, smooth as butter melting on warm bread. The interplay between these two legends is electric—you can almost picture them trading grins while laying down their solos. Every note feels alive, like it could jump right outta the speakers and tap you on the shoulder. By the end of the track, I wasn’t sure if I wanted to grab my dancing shoes or sit quietly in awe. Probably both. Then there’s “Squeeze Me,” which hits different. It starts playful, flirty even, with Persiani’s piano setting the mood before Bechet takes over. His soprano sax has this way of sounding both sweet and sassy at the same time, like your favorite aunt who always knows how to stir things up at family gatherings. And when Jonah Jones comes in with his trumpet solo, oh man, it’s like someone lit a match to the whole thing. Suddenly, you’re not just listening anymore—you’re living it. This one stays with you long after the last note fades. What makes this album stand out isn’t just the technical brilliance (though yeah, there’s plenty of that). It’s the vibe. Listening to it feels like walking into a smoky Parisian club in the ‘50s where everyone knows each other but still welcomes you with open arms. Charles Delaunay’s liner notes add a nice touch too, giving context without being pretentious about it. But here’s the thing: halfway through writing this review, I realized something weird. For all its charm and swagger, Et Ses Vogue Jazzmen Avec Jonah Jones isn’t trying to reinvent anything. Instead, it reminds us why we fell in love with jazz in the first place—the spontaneity, the joy, the sheer human connection. And honestly? That might be more powerful than any revolution. So go ahead, give this album a spin. Just don’t blame me if you find yourself humming “Chinatown” while brushing your teeth or accidentally busting a move during “Squeeze Me.” Trust me, it happens.

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Artist: Sidney Bechet
Album: Et Ses Vogue Jazzmen Avec Jonah Jones

Table of Contents

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Tracks

TrackDurationPreview
Chinatown My Chinatown
Crazy Rhythm
Squeeze Me
Lonesome Road
Somebody Stole My Gal
When You Wore A Tulip

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Catalog Numbers

M. 33.331

Labels

Swing , Vogue

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Formats

  • Vinyl
  • LP
  • 10"
  • Album

Credits

RoleCredit
BassBenoit Quersin
DrumsMarcel Blanche
Liner NotesCharles Delaunay
PianoAndré Persiani
Soprano SaxophoneSidney Bechet
TrumpetJonah Jones

Notes

Exclusivité Vogue p.i.p.

About Sidney Bechet

Name Vars

  • Sidney Bechet Et Ses Vogue Jazzmen
  • Sydney Bechet And His Vogue Jazzmen

Members

  • Sidney Bechet

Interesting fact about Album

Here’s an interesting fact: Sidney Bechet, the legendary soprano saxophonist, teamed up with trumpeter Jonah Jones for the album *Et Ses Vogue Jazzmen Avec Jonah Jones*. It’s a gem of French jazz history. Recorded under the Swing and Vogue labels, it blends the lively energy of swing with a distinctly European touch. Tracks like "Chinatown My Chinatown" and "Crazy Rhythm" showcase their tight chemistry. Fun detail—Benoit Quersin on bass and Marcel Blanche on drums kept the rhythm section rock-solid. And get this: the liner notes were penned by Charles Delaunay, a key figure in jazz history himself. A true collaboration of talent!