Sisygambis, Gérard Giachi - Pour En finir EP

quytech

Review by Quy Technologies

Pour En finir EP by Sisygambis & Gérard Giachi: A Sonic Assault Worth Remembering Released in 2013 on the French label Atypeek Music, Pour En finir EP is a raw and uncompromising dive into the chaotic depths of No Wave, Post-Punk, Industrial, Experimental, and Noise. The collaborative effort between Sisygambis and Gérard Giachi feels less like a polished album and more like an unfiltered transmission from the underbelly of rock’s darker subgenres. It’s not for everyone, but if you’re into abrasive sounds that push boundaries, this one might just stick with you. The EP opens with “Pour En finir 1,” which immediately grabs your attention—not because it’s pleasant, but because it refuses to let you ignore it. This track hits hard with jagged guitar riffs and dissonant layers that feel like they’re collapsing in on themselves. There’s something oddly hypnotic about how the rhythm teeters between controlled chaos and total breakdown. You can almost picture Giachi and Sisygambis throwing everything they’ve got at their instruments, leaving no room for compromise. It’s noisy as hell, sure, but there’s a strange beauty in its relentlessness. If anything, it makes you sit up and pay attention—even if you’re not entirely sure what you’re listening to. Then there’s “Grassland,” which takes things down a notch—or at least pretends to. At first listen, it seems slightly more subdued compared to the opener, but don’t be fooled. The track builds slowly, creeping up on you with atmospheric tension before exploding into bursts of industrial-tinged noise. What stays with me most is how unpredictable it feels; just when you think you’ve figured out where it’s going, it veers off into some new direction. The interplay between melody (or what passes for melody here) and sheer sonic aggression creates a sense of unease that lingers long after the track ends. Honestly, it’s kinda brilliant in its refusal to play nice. “Pour En finir 2” wraps things up, though calling it a conclusion feels misleading. Like much of the EP, it resists easy categorization or closure. Instead, it leaves you hanging in this weird liminal space, questioning whether you’ve just experienced art or endured an audio assault. Either way, it sticks with you. One thing I’ll say about Pour En finir EP: it doesn’t aim to please. This isn’t background music for dinner parties or chill playlists—it demands your full attention, even if it frustrates you along the way. And maybe that’s the point. In a world where so much music feels safe and formulaic, this EP reminds us that sound can still shock, provoke, and challenge. Final thought? Listening to this record feels a bit like getting caught in a storm—you’re battered by the noise, but there’s also a strange thrill in surviving it. Plus, who else pairs No Wave with such unapologetic intensity these days? Hats off to France for keeping experimental rock alive and kicking.

Table of Contents

Download

Filename: sisygambis-grard-giachi-pour-en-finir-ep.zip
  • MP3 size: 21 mb
  • FLAC size: 113.4 mb

Tracks

TrackDurationPreview
Pour En finir 16:16
Grassland4:57
Pour En finir 22:50

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Catalog Numbers

ATY035

Labels

Atypeek Music

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Formats

  • 3 × File
  • MP3
  • Bitrate

Barcodes

  • Label Code: ATY035
  • Other: UPC Numérique: 888003856851

About Sisygambis, Gérard Giachi

Exhibitions, Installations, performances, movies, workshops. Everything in Sisygambiss artistic approach operates in an extension of multimedia art through exploring, new encounters and sharing, creating while developing new boundaries between traditions and technology. Desiring to associate numeric arts with worldwide traditional cultures, Christine Coulange and Nchan Manoyan founded Sisygambis in 1989. Travelling from one country to another, the duo of video directors/musicians collect songs and music, document rituals, but also gather testimonies and the day-to-day practices of the people that cross their paths. Since the passing of Nchan Manoyan in 2009, Christine Coulange remains the artistic director of Sisygambis and the adventure goes on with her collaborators. Along the Spice Route, she develops De la Méditerranée à locéan Indien ( from the Mediterranean sea to the Indian ocean) a multi and transmedia project which explores several forms of techniques and interactions (video & music immersive installations, exhibitions, performances, interactive webdocumentaries...)The collaboration with the Paris Institut du monde arabe (Arab World Institute) resulted in the development of the webdocumentary Les Ports, de la Méditerranée à locéan Indien ( Ports, from the Mediterranean sea to the Indian ocean), and the showing of 4 short films in the exhibition Aventuriers des mers, a coproduction of the Arab World Institute and the MUCEM (Museum of European and Mediterranean Civilisations) in Marseille . Autumn 2016: Sisygambis begins a 3-year residency in Mayotte, thanks to the support of the french Head of Cultural Affairs of the island, pairing the webdocumentary to a collaborative multilingual platform project that includes the regional overseas languages. The prototype was exhibited in october 2016 at the Humanisme Numérique symposium in Paris and at the European Heritage Days in Mayotte. The documentary short and the workshop  La couleur des mots  were also shown at the National Theater La Criée in Marseille for the grand opening of the Printemps de la Francophonie . In 2015, the Vivid Festival in Sidney and Melbourne projected onto big screens in the city center People from the Indian ocean, a 6 min concentrate of rare images shot in a span of 15 years along the Silk and Spice routes and the Indian ocean. The same year, the multimedia exhibition Jirai jusquà Zanzibar (I will go all the way to Zanzibar) was presented and integrated into the permanent collection of the Rimbaud Museum in Charleville-Mézières. In 2013, during the MP 2013 Event (Marseille-Provence Cultural Capital of 2013), the first creations born from 7 years of research on the Spice route were seen for the first time at the Villa Méditerranée and at the Friche la Belle de mai, in Marseille. Along the Silk Road Video makers, music composers, Nchan Manoyan and Christine Coulange go on expeditions, always further to the East, through wars and prohibitions, from Marseille to Shanghai. As a testimony, they create, and leave their pieces of arts in several festivals and events : Nemo at the Centre Georges Pompidou, Festival international du film in La Rochelle, 38e rugissants in Grenoble, Les Musiques / GMEM in Marseille. In 2005, Sisygambis won the Mobius France price for multimedia creation for its installation La route de la Soie (The Silk Road) Christine Coulange works with a worldwide network of artists, and the creations of Sisygambis are to be programmed in numerous festivals and museums, in France and abroad. She knows that this life journey draws it strength from the political and artistic determination that she and Nchan Manoyan lived through and developed altogether, starting before the collapse of the Berlin Wall, during their wild concerts in the cold eastern lands.

Real Name

    • Nchan Manoyan
    • Christine Coulange

Members

  • N'Chan Manoyan
  • Christine Coulange
  • Nicolas Dick

Interesting fact about Album

Here’s something cool: The album *Pour En finir EP* by Sisygambis and Gérard Giachi is a wild mix of No Wave, Post-Punk, and Industrial sounds. Released in 2013 in France, it’s like a chaotic experiment for your ears. The tracks, including *"Pour En finir 1"* and *"Grassland,"* feel raw and edgy, almost like they’re rebelling against traditional music itself. It’s the kind of stuff that makes you think, “What even is this?” in the best way possible. Definitely not your average rock album.