Slash Featuring Myles Kennedy And The Conspirators – 2011 2012
If you're a rock fan, this album is like finding an old leather jacket in the back of your closet that still fits perfectly. Released in 2012 under Eagle Vision, 2011 2012 captures Slash doing what he does best—shredding riffs that make your spine tingle while Myles Kennedy belts out vocals with raw emotion. It's hard rock meets pop rock, and it feels like home. Recorded live across France and Europe, this isn’t just music; it’s energy bottled up and handed to you.
Let me tell ya about two tracks that stuck with me: “Apocalyptic Love” and “You’re A Lie.”
“Apocalyptic Love” kicks things off with this gritty guitar riff that feels like waking up to chaos but loving every second of it. There’s something about how Myles sings “we were born to lose”—it hits different. Like, yeah, life might be falling apart, but at least we’ve got killer tunes to hold onto. The solo? Oh man, Slash goes HAM on this one. You can almost picture him leaning back, eyes closed, letting the notes pour out like they’re carrying all his secrets. This track doesn’t just start the album—it grabs you by the collar and says, “Listen up.”
Then there’s “You’re A Lie,” which punches you right in the gut from the first chord. The rhythm section is tight as hell, and Myles delivers these lines with so much venom, you kinda feel sorry for whoever inspired it. But honestly, who cares? Not me. What makes this song unforgettable is how relatable it feels. We’ve all been burned by someone who turned out to be full of crap, right? Plus, Slash adds these little melodic twists during the breaks that remind you why he’s a legend. By the time the song ends, you’re ready to scream along or maybe even write your own breakup anthem.
The rest of the album keeps the momentum going with classics like “Nightrain” and “Patience,” plus some unexpected gems like “Standing In The Sun.” And let’s not forget the bonus interviews—they give you a peek behind the curtain, showing how much heart went into making this thing. Hearing Slash talk shop or Myles geek out over recording sessions? Priceless.
But here’s the kicker: listening to this album feels less like watching a concert and more like hanging out with friends who happen to be insanely talented musicians. Sure, there are moments where it drags slightly (because hey, no one’s perfect), but overall, it’s a wild ride through nostalgia and fresh vibes.
Here’s the random thought I’ll leave you with: If aliens ever invade Earth, playing them this album could probably convince them to stick around for a bit. They’d see we’re messed up but also kinda awesome—and isn’t that what rock ‘n’ roll’s all about?
