Album Review: Jule Girl Red Wing by Stone Mountain Entertainers
Alright, folks, buckle up because we’re diving into Jule Girl Red Wing, a little slice of country goodness from the Stone Mountain Entertainers. Released under the Broadway label (yes, that’s a thing!), this album feels like sitting on a porch with a cold drink while someone tells you stories about life, love, and banjos. The genre? Folk, World, & Country—with a heavy lean toward good ol’ American twang. And let me tell ya, it delivers.
First off, let’s talk credits real quick. You’ve got Lonnie Griffith doing double duty on guitar and vocals, which is impressive if only because he doesn’t sound like he’s out of breath after playing both. Then there’s Lige Hardy laying down some serious banjo magic, plus Charley La Prade and John Thomasson fiddling their way into your heart. These guys aren’t just musicians—they’re storytellers armed with strings.
Now onto the tracks. The album kicks off strong with “Red Wing,” and holy smokes, does it grab you by the collar. It’s one of those tunes where you can practically hear the dust kicking up as horses gallop through an open field. Or maybe that’s just my imagination running wild. Either way, the fiddle work here is stellar—Charley and John trade licks so smooth it’s almost unfair. By the time they hit the chorus, you’ll be humming along even if you don’t know the words. Trust me, I did it too, and now my dog won’t stop staring at me funny.
Then there’s “Jule Girl,” which might as well come with a warning label for how catchy it is. Lonnie Griffith’s vocals are front and center here, dripping with charm and just enough grit to keep things interesting. There’s something about the way he sings “Jule Girl” that makes you wanna tip your hat and say, “Well, ain’t that somethin’?” The banjo chimes in like the cherry on top, adding this playful bounce that sticks in your brain longer than last week’s grocery list.
What stands out most about these tracks—and really the whole album—is how authentic it feels. No overproduced nonsense or auto-tuned vocals here. Just raw talent and instruments having a dang good time together. It’s like eavesdropping on a jam session between friends who clearly love what they do.
So, would I recommend Jule Girl Red Wing? Absolutely. If you’re looking for music that sounds like home-cooked meals and lazy Sunday afternoons, this is it. Plus, listening to this album gives you instant credibility as someone who appreciates “real music.”
Final thought: This album reminds me why country music will never die—it’s basically comfort food for your ears. Oh, and also, I now have a weird craving for biscuits and gravy. Thanks, Stone Mountain Entertainers.
