Album Review: Taog Susej Nommam Erytz – Taog Susej Nommam Erytz
Alright, let’s talk about this wild ride of an album. Released in 2005 by Meurtre Noir Records (cool name, right?), Taog Susej Nommam Erytz is one of those records that doesn’t just sit in the background—it grabs you by the ears and shakes you around a bit. It’s a mix of Rock and Electronic vibes with some seriously heavy Noise, Dark Ambient, and Industrial undertones. If you’re into music that feels like it crawled out of a dystopian nightmare, this might be your jam.
The album kicks off with tracks like "VII" and "Demonic Revelation," both of which are unforgettable for different reasons. "VII" starts off all brooding and atmospheric, like you’re walking through a foggy forest at night while something ominous lurks nearby. The layers of sound build up slowly, almost hypnotically, until BAM—this wall of noise hits you outta nowhere. Feels like getting sucker-punched by a ghost. You don’t know whether to scream or just stand there slack-jawed, but either way, it sticks with you.
Then there’s "Demonic Revelation." Man, this track is just… evil-sounding. Like, legit demonic. It’s got these distorted vocals that sound like they’re coming from another dimension, paired with this relentless industrial beat that makes your chest vibrate. Honestly, I’m not even sure if I liked it at first listen, but it’s one of those songs that worms its way into your brain. Days later, I caught myself humming it in the shower—which, considering how dark and unsettling it is, felt kinda wrong but also awesome.
Props to M., whoever they are, for pulling off tracks A1 to A3. They’ve got this raw, unpolished energy that makes the whole thing feel alive, like it could fall apart at any moment but never does. That tension? Super addictive.
What’s wild about this album is how it refuses to fit neatly into one genre or style. One minute you’re vibing to these gritty rock riffs, and the next you’re drowning in this sea of ambient noise that sounds like the apocalypse happening in slow motion. It’s chaotic, sure, but there’s a method to the madness.
Final thoughts? Listening to Taog Susej Nommam Erytz feels like taking a trip without knowing where you’ll end up—and honestly, isn’t that what good music should do? Oh, and fun fact: typing the artist’s name backwards spells “Jesu Gnat Monsammetryz.” No clue what that means, but it’s kinda metal, so I’m here for it.
