Album Review: Metro The Dawn by Ultra Spin
If you’re a fan of trance music that takes you on a journey without holding your hand the whole way, Metro The Dawn by Ultra Spin is worth a listen. Released in 2003 under Spain’s Trance Corporation Recordings, this album doesn’t try to reinvent the wheel—it just spins it really, really well. With its pulsating beats and ethereal vibes, it’s one of those records that feels like an escape hatch from reality.
Let’s talk about “The Dawn,” the track that kicks things off. It starts with this haunting, almost cinematic intro—a slow build-up that pulls you in before exploding into a euphoric drop. You can tell Ultra Spin spent time crafting layers here; there’s a richness to the synths that makes the track feel alive. It’s not overly complicated, but man, does it hit differently when you’re zoning out late at night or cruising down an empty highway. Tracks like these remind me why trance has such staying power—it’s emotional without being cheesy.
Then there’s “Metro,” which flips the vibe slightly. Where “The Dawn” soars, “Metro” drives. The rhythm is relentless, almost mechanical, but in the best way possible. There’s something hypnotic about how the percussion locks in with the melody—it’s like getting lost in the pulse of a city while still feeling untouchable. I remember hearing this for the first time and thinking, "This isn’t background music." It demands attention, even if it doesn’t scream for it.
What stands out most about Metro The Dawn is how cohesive it feels despite only having two tracks (assuming they’re singles). Both songs share a DNA of raw energy and meticulous production, proving that sometimes less really is more. Sure, calling it groundbreaking might be stretching it, but who cares? Not every album needs to change the world to leave an impression.
Here’s the kicker: listening to this now, nearly two decades later, I’m struck by how timeless it sounds. Maybe it’s because electronic music cycles back on itself every few years, or maybe Ultra Spin just got lucky. Either way, Metro The Dawn holds up better than some modern releases drowning in overproduction.
So yeah, give it a spin. And hey—if you find yourself humming “The Dawn” days later, don’t blame me. Blame Ultra Spin for making something this damn catchy.
