Album Review: Go Boy Go by Rockabilly Squad
Released in 2007 under the label Sound & More, Go Boy Go by Germany's own Rockabilly Squad is a rollicking homage to the raw energy of Rock & Roll and Rockabilly. It’s not just an album; it’s a time machine that whisks you back to the days of leather jackets, slicked-back hair, and dance floors shaking with rhythm. The band nails the essence of these genres while injecting their own modern flair—though they never stray too far from the roots.
One standout track is “Cherokee Boogie,” which kicks things off with a punchy guitar riff and a relentless beat that feels like it could power a locomotive. This tune grabs your attention right away, blending catchy hooks with lyrics about freedom and adventure. You can almost picture yourself cruising down an open highway—or at least pretending to in your living room. It’s one of those songs where you think, “Wow, this would’ve been perfect for some vintage Western flick.” And honestly? It makes me want to grab a pair of cowboy boots I don’t even own.
Another gem on the record is “Seven Nights To Rock.” If there was ever a song built for late-night drives or impromptu kitchen dance parties, this is it. With its driving bassline and infectious chorus, it practically demands you move. What sticks out here isn’t just the musicianship but how effortlessly fun it feels. It doesn’t try too hard—it just delivers pure, unfiltered joy. By the second listen, you’ll find yourself humming along, whether you meant to or not.
The rest of the album keeps up the momentum, with tracks like “Sweet Little Sixteen (Live)” bringing live-performance grit and “Lonesome Train” offering a touch of melancholy amidst all the high-energy anthems. Even lesser-known numbers like “Wash Machine Boogie” have their charm, showcasing the band’s ability to blend humor and heart into their music.
What’s impressive about Go Boy Go is how authentically it channels the spirit of classic rock ‘n’ roll without sounding dated. Sure, some might call it nostalgic, but nostalgia done well feels fresh every time. Plus, hearing a German band master such American-born styles adds an interesting twist—you’d never guess their origins unless told.
In the end, this album reminds us why we fell in love with rockabilly in the first place: it’s rebellious, fun, and utterly timeless. Listening to it feels like rediscovering an old friend who still knows how to throw one heck of a party. Funny enough, after spinning Go Boy Go, I caught myself researching local swing-dance classes. Guess that’s what happens when great music gets under your skin!
