Album Review: Musik Im Cedernsaal Auf Schloss Kirchheim by Various
If you’re into classical music that feels like stepping into a time machine, Musik Im Cedernsaal Auf Schloss Kirchheim is the ticket. Released in 1965 under Harmonia Mundi and directed by Reinhard Peters, this album is a delightful mix of Classical, Renaissance, and Baroque vibes. It’s like Germany decided to throw a musical party with some serious talent—Elly Ameling on soprano vocals, the Deller-Consort London ensemble, and Günther Lemmen flexing his viola d’amore skills.
Now, let me tell ya about two tracks that stuck with me. First up, there’s “Weichet Nur Betrübte Schatten,” which is basically an aria from a cantata. Elly Ameling’s voice here? Pure magic. She doesn’t just sing; she paints. You can almost see those "troubled shadows" retreating as her crystal-clear tone takes over. It’s one of those moments where everything else fades away, and all you hear is beauty. Honestly, it gave me goosebumps—like when you find money in your pocket but better.
Then there’s “Largo Aus Concerto D-dur Für Viola D’amore Und Streichorchester.” Yeah, yeah, big fancy name, I know. But listen closely because Günther Lemmen makes the viola d’amore sound like it has its own soul. The piece starts slow, kinda dreamy, and builds into something so rich and layered that you’ll wanna hit replay immediately. It’s not flashy or loud—it’s more like someone whispering secrets straight into your ears. And trust me, these are secrets worth hearing.
What really stands out about this record isn’t just how polished it sounds (thanks, Collegium Aureum!) but also how alive it feels. Every note seems carefully placed yet totally natural, like they weren’t trying too hard—you know what I mean? Plus, props to Paul Breuer for snapping photos that match the vibe perfectly. They make you feel like you were actually at Schloss Kirchheim back in the day.
Here’s the thing though: listening to this album made me realize how rare it is to stumble across music that feels both ancient and fresh at the same time. Like, imagine wearing a suit of armor while sipping coffee from a modern mug—that’s kind of what this album does to your brain. Weird analogy? Maybe. Accurate? Absolutely.
So if you ever need a break from playlists full of predictable beats, grab yourself a copy of Musik Im Cedernsaal Auf Schloss Kirchheim. Or stream it, whatever floats your boat. Just don’t be surprised if you start picturing yourself wandering through old castles and quoting Shakespeare after a few listens.
