Album Review: Artwork by Artwork (1993)
Alright, buckle up—this one’s a trip. Artwork, the debut album from the German project Artwork, is like that mysterious kid in school who somehow pulls off wearing combat boots with a velvet blazer. Released in 1993 under Dark Star Records, this record dives headfirst into a moody cocktail of rock, electronic, and pop, with splashes of darkwave and modern classical for good measure. It’s not your typical “throw it on at a party” kind of album, but if you’re into something brooding yet strangely beautiful, this might just be your jam.
The brainchild behind Artwork is Jochen Schoberth, who wears about ten hats here—he writes the music, plays the instruments, pens most of the lyrics, and probably made coffee while recording too. Oswald Henke chips in on some tracks as co-lyricist, adding another layer of depth to the storytelling vibe throughout the album. Oh, and props to Gudrun Kothe for the cover art—it’s hauntingly cool, much like the tunes inside.
Now, let me tell ya about two tracks that stuck with me. First up, there’s "Heaven And Hell." Man, this song opens the album like a thunderstorm rolling in. The mix of somber synths and gritty guitar riffs feels cinematic, like you’re wandering through an abandoned city at midnight. Jochen’s vocals have this raw, almost desperate edge that makes you feel every word he sings. It’s catchy but also kinda heavy—you know, the kind of track that sneaks into your head when you least expect it.
Then there’s "Stadt Der Träume" (translation: "City of Dreams"). This one leans more into the modern classical side, with these sweeping melodies that feel like they belong in a Tim Burton movie. There’s something about the way the piano intertwines with those eerie electronics—it paints a picture without needing any visuals. Plus, the lyrics are poetic enough to make you wanna grab a journal and scribble some thoughts yourself. Honestly, I’ve had this track on repeat during late-night drives, and it just hits different every time.
Other standouts include "Bring The Rain" (which gets revisited later in the album, showing off their knack for reimagining themes) and "Bella Donna Requiem," which closes things out with a gothic flourish. Every song has its own personality, though, so don’t sleep on the rest either.
What’s wild about Artwork is how it balances beauty and darkness without feeling forced. You can tell Jochen and the crew poured their souls into this thing—it’s got heart, even if it’s wrapped in shadowy vibes. Listening to it feels like stepping into another world, one where neon lights flicker against crumbling walls and everyone speaks in metaphors.
So yeah, give Artwork a spin if you’re ready to explore the darker corners of your playlist. Just don’t blame me if you start dreaming in minor chords afterward. Oh, and fun fact: rumor has it Fido did the layout for the artwork, which honestly deserves its own review because it’s THAT good. Who knew typography could look so moody?
