Azizi Gibson’s I’m Good on People EP: A Raw, Unfiltered Dive into Hip-Hop Realness
Yo, let’s talk about Azizi Gibson’s I’m Good on People EP, a project that dropped back in 2017 under Prehistoric Records. It’s one of those albums where you can tell the artist wasn’t tryna fit no mold—they just went off. This isn’t your typical polished rap album; it’s gritty, unapologetic, and feels like a peek into Gibson’s brain without any filter. And honestly? That’s what makes it hit so hard.
The EP bounces between moody beats and straight-up bangers, keeping you locked in from start to finish. Tracks like “Ain’t Shit” (yeah, there are two versions) and “Head Huncho” stick with you for different reasons. Let me break it down real quick.
First up, “Ain’t Shit.” Whether you catch the first or second version, this track slaps. The beat’s minimal but effective—kinda haunting, kinda hypnotic—and Azizi rides it like he owns the damn thing. He spits bars that feel personal yet universal, like when life hands you lemons but you ain’t even got cups to make lemonade. There’s something about his flow here—it switches up unexpectedly, almost like he’s daring you to keep up. You don’t just listen to this song; you feel it. By the time it ends, you’re either nodding your head or staring blankly at the wall thinking deep thoughts. No cap.
Then there’s “Head Huncho,” which flips the vibe entirely. This joint is darker, more aggressive—like if grittiness had a soundtrack. The production hits hard, all punchy drums and eerie synths, and Azizi matches it bar for bar. His delivery is sharp as hell, switching between laid-back confidence and full-on attack mode. What sticks with me most is how relentless it feels. Like, dude isn’t holding back—not on the mic, not in life. When he says, “I run this sht,” you believe him. Not because he’s flexing too hard, but because his energy sells it.
Other tracks like “Cobra” and “Hopeless” bring their own flavor too, but these two stood out for me. Maybe it’s the way they balance raw emotion with killer production, or maybe it’s just that Azizi sounds like he doesn’t give a damn what anyone thinks—which is kinda refreshing in today’s scene.
At only eight tracks, I’m Good on People EP doesn’t overstay its welcome. It’s short, sharp, and leaves an impression. Listening to it feels like having a convo with someone who’s been through some stuff but still finds joy in the chaos. Or maybe they don’t find joy—it’s complicated. Either way, it’s real AF.
So yeah, Azizi Gibson delivered something special with this EP. It’s not perfect, but honestly, I don’t think it’s supposed to be. Sometimes imperfection is exactly what makes art memorable. As I wrapped my second listen, I found myself wondering: If music could fight, would this EP throw hands or just stare you down till you blinked? Food for thought.
Check it out if you’re into Hip-Hop/Rap that keeps it 100. Just don’t expect anything safe or predictable.
