Album Review: Few Minutes by Gabriel Boni, Gabriel Rocca, and Marko
Released in 2012 under the Brazilian label Inminimax Records, Few Minutes is a solid entry into the electronic music scene, blending Tech House, House, and Deep House styles with finesse. This collaborative effort from Gabriel Boni, Gabriel Rocca, and Marko feels like a snapshot of its time—polished yet raw enough to keep things interesting. It’s not reinventing the wheel, but it doesn’t need to. Instead, it delivers four distinct takes on one core idea, each remix bringing something unique to the table.
The standout track for me has to be “Few Minutes (Hermanez Remix).” Hermanez strips down the original mix and injects it with a pulsating energy that just grabs you. The bassline is deep and driving, perfect for losing yourself on a dimly lit dancefloor—or even your living room at 2 a.m. What makes this version unforgettable is how effortlessly it balances tension and release. You’re drawn in by subtle changes—an extra kick here, a filtered synth there—and before you know it, you’ve hit repeat three times without realizing. It's the kind of track DJs love because it builds anticipation without ever feeling overdone.
Another gem is “Few Minutes (Original Mix).” While some might argue it’s less flashy than the remixes, there’s an understated charm to it. The groove is smooth, almost hypnotic, and the layers unfold gradually, giving listeners room to breathe. It reminds me why Deep House can feel so intimate—it’s not about bombastic drops or flashy tricks; it’s about creating a vibe. There’s a warmth to this mix that feels distinctly human, which is rare in an era where production often leans too robotic.
As for the other two remixes? They’re solid, no doubt. Niko Schwind adds his own flair with crisp percussion and a slightly darker tone, while Channel X goes all out with a more aggressive, techy approach. But honestly, they don’t stick in my mind quite as much as the first two tracks. Still, kudos to the producers for keeping things fresh across the board.
What strikes me most about Free Minutes is how timeless it feels despite being over a decade old. Sure, trends have shifted since 2012, but good music transcends those boundaries. Listening to this album now feels like revisiting an old friend who still knows how to throw a great party. And isn’t that what House music is all about?
Unexpectedly, though, I found myself wondering: If these guys were making such strong tunes back then, where are they now? Did life get in the way, or did they simply move on to new projects? Whatever the case, Few Minutes serves as a reminder that sometimes the best moments in music come when artists focus less on perfection and more on capturing a mood.
So, if you’re into Tech House or just want something vibey to spin during late-night sessions, give Few Minutes a listen. Just don’t blame me if you end up dancing alone in your kitchen.
