Album Review: Split by Tonnn, Lice
Tonnn and Lice’s Split isn’t your run-of-the-mill release—it’s raw, unpredictable, and kinda feels like stumbling into a secret gig in someone’s basement. Released under Not On Label, this album doesn’t come with flashy production or overhyped marketing. Instead, it’s got grit, personality, and a sound that refuses to sit still.
The opening track, “Static Bloom,” hits you like a jolt of caffeine. It’s chaotic but not messy—more like controlled chaos. The way the synths buzz and crackle against the percussion gives off this eerie yet hypnotic vibe. You can almost picture neon lights flickering in slow motion while listening. What sticks with me is how the melody sneaks up on you; just when you think it’s going nowhere, it flips into something unexpectedly beautiful.
Then there’s “Driftwood Dreams,” which feels like the polar opposite of the first track. Here, everything slows down, almost like the music is breathing with you. The vocals are distant, almost ghostly, but they pull you in deeper the longer you listen. I found myself zoning out during the bridge—it’s one of those moments where the silence between notes speaks louder than the sounds themselves.
What makes Split stand out isn’t perfection; it’s imperfection. These tracks feel alive, like they’re still evolving even as you press play. There’s no clear genre box here—Tonnn and Lice seem to bounce between industrial, ambient, and experimental without breaking a sweat.
Here’s the kicker though: halfway through my second listen, I realized I wasn’t sure if I loved or hated it—and honestly, that’s what makes it so good. Music shouldn’t always fit neatly into playlists or moods. Sometimes, it should challenge you, make you squirm, or leave you wondering what the heck just happened.
Final thought? Listening to Split feels like reading an unfinished novel. You’re left hanging, maybe frustrated, but also kinda intrigued. And hey—that’s better than boring any day.
