Alright, let’s dive into Svensk På Dansk by DSD—a Danish gem from 2011 that kinda flew under the radar but deserves some love. This album is a mix of rock and pop with that catchy Pop Rock vibe we all secretly enjoy when no one’s watching. Released under the label 50/FIFTY, it’s got this raw, heartfelt energy that feels like hanging out with old friends on a chilly Copenhagen evening.
First off, shoutout to the team behind the scenes: Søren "Dønne" Griepentrog doing his thing as engineer, Uno Wierød mixing it up, and Ole Irenaeus Wieroed (or should I say Irenæus Wierød?) pulling double duty as producer. The cover art? Classic ad-agency vibes courtesy of Sønderjydsk Reklame. And those photos by Heinrich Clausen? They just scream “Denmark in 2011”—all moody skies and introspective glances.
Now onto the tracks. There are 12 songs here, each with its own little charm, but two really stuck with me. First up is "Mit Hjertes Due"—both the regular version and the radio mix. It’s one of those tunes where you don’t even realize you’re humming it until hours later. The melody has this bittersweet pull to it, like reminiscing about someone you used to know but can’t quite figure out if you miss them or not. Plus, the lyrics have a poetic edge without being pretentious, which is always a win in my book.
Then there’s "Kom Hjem Til Mig," which hits different. Maybe it’s the way the guitar kicks in or how the vocals feel like they’re pleading directly to you—it’s hard not to get sucked in. It’s the kind of song that makes you wanna grab your coat, walk outside, and just... think. You know what I mean? Like, it’s simple yet powerful enough to make you pause whatever you’re doing for a moment.
The rest of the album follows suit—tracks like "To Lys" and "Elsk Mig Da Nu" keep things interesting without overstaying their welcome. Honestly, it’s refreshing to hear something so unapologetically Danish in both language and spirit. Not everything needs to be globalized, y’know?
Reflecting on Svensk På Dansk, it’s kinda wild how an album like this doesn’t get more attention these days. Sure, it’s not flashy or groundbreaking, but maybe that’s why it works. It feels real. Like, these guys weren’t trying to reinvent the wheel—they just wanted to tell stories and make music that resonates. And honestly? That’s rare enough to appreciate.
Oh, and here’s the unexpected remark: Listening to this album made me crave æbleskiver. Don’t ask me why. Maybe because Denmark + cozy feelings = carbs? Who knows. But if you listen to it while eating some, let me know how that goes.
