Album Review: Städse På Sion Jag Tänker by Ibra Trion
If you’re into music that feels like a warm hug from the past, Städse På Sion Jag Tänker by Ibra Trion is worth your time. Released in 1960 in Sweden, this album blends genres like Funk/Soul, Folk, World, and Country with a dash of religious vibes. It’s not flashy or modern, but it’s got soul—like an old family recipe that just works.
The lineup of musicians is small but mighty: Haldo Matsson on cello, Lennart Jernestrand tickling the piano keys, and Paul Hjelm bowing the violin. Together, they create a sound that’s both humble and hauntingly beautiful.
Let’s talk about two tracks that really stood out to me. First up, “Kända Negro Spirituals.” Now, I’m no expert on spirituals, but there’s something raw and real about this one. The mix of traditional melodies with Swedish folk elements makes it feel universal yet deeply personal. You can almost picture people gathered around, singing their hearts out. It’s not perfect—there are moments where the recording feels a bit rough—but that’s what makes it special. It’s music that breathes.
Then there’s “Städse På Sion Jag Tänker,” the title track. This one hits different. The cello and violin weave together so seamlessly, it’s like they’re having a quiet conversation. And when the vocals come in (if my Swedish isn’t totally off), it sounds like longing and hope rolled into one. There’s a simplicity here that sticks with you long after the song ends. Honestly, I found myself humming it while folding laundry—which says a lot because I usually hate folding laundry.
One thing that surprised me? How fresh this album still feels despite being over 60 years old. Sure, it’s not gonna top any Spotify charts today, but it’s got a charm that streaming algorithms can’t replicate. Listening to it felt like stepping back in time—not in a cheesy retro way, but more like eavesdropping on a moment of genuine human connection.
Final thought: If Hemmets Härold ever decided to reissue this album, I’d grab a copy faster than you can say “folk revival.” But until then, digging up a vinyl or finding a rare digital version might be your best bet. Oh, and if anyone knows how to pronounce “Haldo Matsson” correctly, hit me up—I’ve been saying it wrong all week.
So yeah, give Städse På Sion Jag Tänker a listen. It’s not for everyone, but if you’re into music with heart, history, and a little mystery, you won’t regret it.
