Instagon - Thee Most Creative Thing Ive Ever Seen In A Slight English Accent

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Album Review: Thee Most Creative Thing Ive Ever Seen In A Slight English Accent by Instagon Released in 1994 under the label Insta-noise Records, Instagon’s Thee Most Creative Thing Ive Ever Seen In A Slight English Accent is an experimental electronic masterpiece that feels like a fever dream dipped in static. It’s not your average album—it’s more of a soundscape collage stitched together with audacity and raw creativity. Hailing from the US, Instagon pulls no punches here, crafting something that defies easy categorization while still managing to be oddly compelling. One standout track is "Coyote." This one hits you right off the bat with its jittery beats and haunting undertones. You can almost picture a lone coyote wandering through a desert at night—lonely but full of purpose. The way it layers dissonant tones over unpredictable rhythms makes it feel alive, like it’s constantly shifting beneath your feet. It sticks in your head because it doesn’t try too hard to make sense; instead, it lets the chaos speak for itself. Honestly, it's the kind of song that might annoy some folks on first listen, but give it time, and it worms its way into your brain. Another gem is "WSB 10.93," which features none other than William S. Burroughs himself. Now, if you’re familiar with Burroughs’ work, you know he wasn’t exactly known for playing it safe—and neither does this track. His voice cuts through the mix like a rusty blade, delivering lines that are cryptic yet strangely hypnotic. Paired with Kevin Shaw and Thad Matson’s recording wizardry, the track becomes less about melody and more about texture. It’s messy, yes, but intentionally so—a sonic experiment that somehow works despite (or maybe because of) its rough edges. What really sets this album apart is how unapologetically weird it is. Sure, there are moments where it feels like they threw everything against the wall just to see what stuck, but isn’t that part of the charm? Tracks like “Baby Steps On House” and “More Musicuss” push boundaries without worrying whether anyone will follow. And honestly, that’s refreshing in a world where so much music feels formulaic. Looking back, Thee Most Creative Thing Ive Ever Seen In A Slight English Accent feels ahead of its time—or maybe outside of time altogether. It’s not perfect, nor does it want to be. Instead, it challenges listeners to embrace the unfamiliar and find beauty in imperfection. Funny enough, after listening to this album, I found myself wondering: did Instagon set out to create art or just document their own auditory chaos? Either way, they succeeded wildly. Final thought: If you ever need proof that music doesn’t have to fit neatly into boxes to resonate, look no further than this record. Just don’t expect it to hold your hand along the way.

Download Instagon - Thee Most Creative Thing Ive Ever Seen In A Slight English Accent
Artist: Instagon
Album: Thee Most Creative Thing Ive Ever Seen In A Slight English Accent
Rating: 3.33

Table of Contents

Download

Filename: instagon-thee-most-creative-thing-ive-ever-seen-in-a-slight.zip
  • MP3 size: 21 mb
  • FLAC size: 184 mb

Tracks

TrackDurationPreview
Coyote0:23
WSB 10.930:16
Thee Blood Ov33:26
More Musicuss4:50
Baby Steps On House33:14

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Catalog Numbers

IN007

Labels

Insta-noise Records

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Formats

CD

Credits

RoleCredit
GuestWilliam S. Burroughs (tracks: 1)
Recorded ByKevin Shaw, Thad Matson

Notes

  • Recorded at Stanton Industrial Park, Stanton, CA. USA. 03.13.94 by Thad Matson & Kevin Shaw for thee Instagon Foundation.
  • Opening track is a phone machine recording of WILLIAM S. BURROUGHS speaking to the band Instagon regarding a performance from 1993.
  • CD limited to 1000 hand numbered copies released in a 7" sleeve, with 5x5" booklet insert.
  • First 100 copies included original art insert by OSST, and were only available to members of Temple ov Psychic Youth and the 23rd Current.

About Instagon

Experimental / Noise / Psychedelic Rock band from California (USA) formed in 1993. It was founded by members of "Thee Temple of Psychick Youth North America" (TOPYNA), to become a counter-part to , but embraced the "Chaos Theory" concept and applied it to live music and creative magick and embark on it's own unique journey. As of 2020 over 775 individuals have played as "members" of Instagon, over 800 sessions have happened, never repeating an ensemble. In the early part of the 21st Century, Lob of Instagon coined the term "Garage Jazz" as a description of the jazz/jam hybrid that was created by the project.

Name Vars

  • INSTAGON #482
  • Instagon 415
  • Instagon Noise Trio

Members

  • LOB
  • Alan Herrick
  • Rachel Collier
  • Opus
  • Christopher tm
  • Andy Warthog
  • Charles Ardinger
  • Brian McDonald
  • Matt Patsel
  • Dr. Oblivious
  • Chad E. Williams
  • Andrew Wayne
  • Cary Pealer
  • Mark Halverson
  • Robert Fisher
  • John Keeling
  • Mike Lapilusa
  • Carlos Figueroa
  • Eric Johnson

Interesting fact about Album

Here’s something cool: The album *Thee Most Creative Thing Ive Ever Seen In A Slight English Accent* by Instagon isn’t just another experimental electronic record. It features none other than William S. Burroughs, the legendary beat writer, on one of its tracks. Released in 1994 under Insta-noise Records, this U.S.-based project blends raw creativity with an avant-garde edge. Burroughs' contribution adds a surreal layer to the track "WSB 10.93," making it feel like a meeting point of literature and sound. Recorded by Kevin Shaw and Thad Matson, the album is a wild ride through unconventional sounds and ideas.