O Ser Da Tempestade 40 Anos De Carreira by Jorge Mautner: A Wild Ride Through Timeless Sounds
Alright, let’s dive into this beast of an album. O Ser Da Tempestade 40 Anos De Carreira is like a time capsule from 1999 that somehow feels older and newer at the same time. Released under Dabliú Discos in Brazil, it's a sprawling mix of rock, pop, Latin vibes, and MPB (that’s música popular brasileira for those not in the know). And yeah—it’s got Jorge Mautner’s unmistakable stamp all over it.
First off, can we talk about how ambitious this thing is? Forty years of career packed into one record? That’s no small feat. It’s messy, chaotic even, but also deeply human. You get the sense Mautner wasn’t trying to make something perfect here; he was just letting everything pour out—his quirks, his obsessions, his love for blending genres until they’re almost unrecognizable.
Now, onto the tracks. I gotta shout out “Maracatu Atômico” because holy crap, what a ride. This song hits you with these thundering drums right away, like someone lit a firecracker inside your brain. The maracatu rhythm is hypnotic, but then there’s this weirdly futuristic vibe creeping in with synthy bits and jagged guitar riffs. It’s like watching tradition and rebellion shake hands—and maybe argue a little too. Every time I hear it, I feel like I’m marching in some alternate universe carnival where robots dance alongside samba queens. Yeah, it’s THAT kind of wild.
Then there’s “Lágrimas Negras,” which slaps hard in a totally different way. If “Maracatu Atômico” is chaos on steroids, this track is pure melancholy distilled into sound. The melody drags you down slow, like sinking into quicksand—but in a good way? Like, you want to stay there and wallow for a bit. Mautner’s voice cracks in places, raw and real, like he’s lived every word he’s singing. It sticks with you long after the music fades, especially when you catch yourself humming it hours later while staring blankly at your coffee cup.
The rest of the album is equally eclectic. Tracks like “Samba Dos Animais” are playful and fun, almost cartoonish, while others like “Zona Fantasma” take you on darker, more introspective journeys. There’s even a moment halfway through where you might think, “Wait…is this still the same album?” But somehow, it works. Kinda like life itself, ya know?
One thing that really struck me about this record is how unapologetically Brazilian it feels, yet it doesn’t shy away from global influences either. Whether it’s the nod to fado in “Fado Do Gatinho” or the experimental edge in “Rock Comendo Cereja,” Mautner seems determined to push boundaries without losing sight of his roots. He’s like that eccentric uncle who shows up at family gatherings wearing mismatched socks but somehow manages to charm everyone anyway.
So, would I recommend this album? Absolutely. Is it flawless? Not even close. Some parts drag, and others might leave you scratching your head. But isn’t that what makes art interesting? By the end of O Ser Da Tempestade, you don’t just walk away thinking, “Wow, great tunes.” You walk away feeling like you’ve been let in on a secret—a glimpse into Jorge Mautner’s weird, wonderful world.
And honestly, isn’t that better than perfection?
P.S. Fun fact: Listening to this album while eating popcorn will 100% change your life. Try it.
