La Muy Bestia Pop - Deus Ex Machina

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Review by Gwendoline Kerveillant

Deus Ex Machina by La Muy Bestia Pop: A Raw Industrial Post-Rock Gem from Venezuela Let’s cut to the chase: Deus Ex Machina is not your average rock album. Released in 1994 by Venezuelan band La Muy Bestia Pop, this record feels like a chaotic yet strangely beautiful machine grinding its gears in the dark. With influences spanning industrial grit and post-rock atmospheres, it’s one of those albums that sneaks up on you when you least expect it. And trust me, once it sinks its teeth in, it doesn’t let go. The album was birthed under Tralilandia Records—a label as mysterious as the music itself—and brought together some serious talent behind the scenes. Engineers like Francisco Domingo and mixing wizards such as Elmar Leal added layers of sonic wizardry, while Miguel Noya pulled double duty as both producer and mixer for half the tracks. It’s clear they weren’t messing around here; every track has this raw edge but also an undeniable polish. Now, onto the good stuff—the songs. There are ten tracks total, but two stood out so hard I had to rewind multiple times just to make sure I wasn’t hallucinating. First up is “Dios Es Máquina” (both versions, because why choose?). This song hits like a punch to the gut followed by a warm hug. The opening riff grabs you by the collar and drags you into this dystopian soundscape where guitars wail like sirens and drums clatter like falling debris. By the time the vocals kick in—gruff, strained, almost desperate—you’re already knee-deep in whatever fever dream La Muy Bestia Pop wants to drag you through. What makes it stick? Maybe it’s how unapologetically loud and messy it gets without losing its soul. Or maybe it’s just the title—"God Is Machine"—that keeps looping in my head long after the song ends. Then there’s “Gato Caza Ratón,” which flips the script entirely. Where “Dios Es Máquina” is all chaos, this one feels calculated, almost playful. Imagine a cat stalking its prey across rooftops at midnight—that’s the vibe. The guitar work dances between sharp stabs and slippery slides, keeping you guessing what’s coming next. About halfway through, things take a turn into full-on noise territory before pulling back with eerie precision. You can practically hear the smirk on the band’s face as they throw curveballs left and right. It’s wild, unpredictable, and honestly kind of genius. Other tracks like “Taladro” and “Holle” deserve shoutouts too, but hey, we ain’t writing a novel here. Suffice to say, each song adds something unique to the mix, whether it’s jagged textures, haunting melodies, or rhythms that feel like they’re about to collapse under their own weight. So yeah, Deus Ex Machina is weird, intense, and occasionally downright abrasive—but that’s exactly what makes it unforgettable. Listening to it feels like stumbling into a secret underground club in Caracas circa ’94, where everyone’s sweating, shouting, and vibing off pure adrenaline. Here’s the kicker though: despite being nearly three decades old, this album still sounds fresh. Like, dangerously fresh. If you told me it came out last week, I’d believe you. Maybe that’s the real magic of Deus Ex Machina—it refuses to stay stuck in the past. Or maybe it’s just proof that great art doesn’t care about timelines. Either way, crank this sucker up loud and let it blow your mind. Your neighbors will hate you, but who cares?

Download La Muy Bestia Pop - Deus Ex Machina
Artist: La Muy Bestia Pop
Album: Deus Ex Machina
Rating: 4.75

Table of Contents

Download

Filename: la-muy-bestia-pop-deus-ex-machina.zip
  • MP3 size: 31 mb
  • FLAC size: 304 mb

Tracks

TrackDurationPreview
Mapplethorpe4:00
Infinitunidad6:01
Winning (The Sound)4:07
Gato Caza Ratón3:43
Taladro2:41
Saliva3:34
Holle2:50
Dios Es Máquina3:28
Dios Es Máquina 218:20
Hércules4:46

Video

La Muy Bestia Pop - Deux Ex Machina (1994) || Full Album ||

Images

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Catalog Numbers

Trali-001

Labels

Tralilandia

Listen online

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Formats

  • CD
  • Album

Credits

RoleCredit
EngineerFrancisco Domingo
Mixed ByElmar Leal (tracks: 10), Francisco Domingo (tracks: 9), Miguel Noya (tracks: 1, 2, 4, 7), Wyzton Borrero (tracks: 3, 5, 6, 8)
ProducerLa Muy Bestia Pop, Miguel Noya (tracks: 1, 2, 4, 7, 9)
Recorded ByMiguel Angel Yamin

Notes

  • Grabado y Mezclado en el Taller de Arte Sonoro entre noviembre 93 y enero 94.
  • Intervención en digital: Edward Marshall, Wyzton Borrero, Alfonso Herrera. Arte: El mounstruo de tres cabezas. Fotografía: Ricardo Gonzalez y Matías Pintó D´Lacoste. Imagen, y gráfica digital: Edward Marshall, Joaquin Urbina, Iván Castillo, Wyzton Borrero.

Barcodes

  • Barcode: 7559-61448-2
  • Rights Society: Sacven

About La Muy Bestia Pop

Name Vars

  • Lamuybestiapop

Interesting fact about Album

Here’s something cool: The album *Deus Ex Machina* by La Muy Bestia Pop is a hidden gem from Venezuela's rock scene. Released in 1994, it blends industrial and post-rock in a way that feels both raw and experimental. What’s wild is how the mixing duties were split among different people for almost every track—like a musical relay race. For instance, Miguel Noya handled mixing on tracks 1, 2, 4, and 7, while Elmar Leal took over track 10. And get this: the song “Dios Es Máquina” even got a sequel on the same album with “Dios Es Máquina 2.” It’s like they couldn’t resist doubling down on their own creation. Definitely an album worth checking out if you’re into boundary-pushing rock vibes.

Comments

helloayvazov
helloayvazov
2025-03-16
Brutal!
colegiotec
colegiotec
2025-03-15
Gato caza ratón!
itismywrite
itismywrite
2025-03-15
Sendo disco y alta banda potente. Los 90s la explosión del rock venezolano. Saludos desde Mérida Brother
vingelmom
vingelmom
2025-03-14
Einstürzende Neubauten..............?
stefankirsch
stefankirsch
2025-03-13
Nunca me cansaré de escuchar este disco de La Muy Bestia Pop, para mí, lo mejor que pudo haber existido a nivel de Música Industrial... Se puede decir que fuí uno de los privilegiados que logró verlos en vivo en su único toque fuera de Caracas, fue en Barquisimeto hace más de 20 años ya...
jandex
jandex
2025-03-13
Cabilla en 3D
immigrant101
immigrant101
2025-03-12
Yo no puedo escuchar esta banda sin que se me paren los pelos. Hasta los bigotes se me erizan... Pero nada comparado con verlos en vivo. Qué grandes Mr Marshall y Chofa... ¡GRACIAS!
rajeshchander
rajeshchander
2025-03-11
Chofa era un gran musico ma's que musico visionario de sonidos
wakanzephier
wakanzephier
2025-03-10
Excelente álbum. Tuve la oportunidad de verlos en un local nocturno en el rosal ( no recuerdo el nombre) cerca del antiguo sitio de comida rápida. Recuerdo el uso de instrumentos de metal, en una especie de estructura. Los años 90 fueron una época excelente, ya habían venido algunas bandas gringas y las bandas nacionales estaban en un momento creativo notable. Esta es una pieza maestra del metal industrial venezolano con elementos de música electrónica, especialmente drum and base. Gracias por subir este álbum y felicitaciones por el esfuerzo de difundir al rock nacional a través de esta página.