Save Me by Lisa Fischer: A 1991 Gem That Still Grooves Today
Lisa Fischer’s Save Me is one of those albums that sneaks up on you. Released back in '91, it's a funky, soulful ride through house beats and dancefloor vibes. Produced by the legendary Narada Michael Walden (you know, the guy who helped whip Whitney Houston into shape), this record blends genres like Funk/Soul, Electronic, and Urban sounds with ease. It’s got that late-night club energy but also feels intimate enough for a lazy Sunday morning.
The album came out under Elektra in both the US and UK, so it had some serious backing. With engineers like John Poppo and remix wizards like David Morales on board, there was no shortage of talent shaping these tracks. And let me tell you—this thing bangs.
Standout Tracks
Let’s talk about "How Can I Ease The Pain." Man, this track hits different. It starts off smooth as butter, with Lisa’s voice gliding over soft synths before the beat kicks in. You can feel the ache in her delivery—it’s raw yet polished, like she’s singing just to you. This isn’t your typical ballad; it’s got layers. The production team really nailed the balance between emotional depth and groove. If you’re not swaying side to side while listening, check your pulse because something might be wrong.
Then there’s "Save Me (Extended Mix)." Oh man, this version takes the original and stretches it out into pure ecstasy. The bassline? Insane. The drum programming? Tighter than my schedule during finals week. Eric Kupper and Ski Schwartz clearly knew what they were doing when they laid down those electronic rhythms. By the time the vocals kick in, you’re already lost in the vibe. It’s the kind of song that makes you wanna throw on some roller skates and hit an imaginary disco floor—even if you’re just sitting at home.
Why It Sticks
What makes Save Me stand out is how versatile it feels. Whether you’re vibing to the sultry tones of “Red Zone Dub” or getting hyped to the upbeat remixes of the title track, there’s something here for everyone. The credits read like a who’s who of ‘90s music magic-makers, and their fingerprints are all over this project. From Narada’s arrangements to Morales’ percussive touches, every detail pops.
But honestly? What I love most is how timeless it feels. Even though it dropped in ’91, the album doesn’t sound dated. Maybe it’s because House and Garage never really go out of style, or maybe it’s just Lisa’s voice—a mix of power and vulnerability that pulls you in.
Final Thoughts
If you haven’t given Save Me a spin yet, do yourself a favor and press play. Sure, it’s from another era, but good music doesn’t expire. Plus, hearing Lisa belt out those high notes is worth the price of admission alone. Fun fact: Lisa later became famous for touring with The Rolling Stones, but don’t sleep on her solo work. She’s got pipes that could blow the roof off any venue.
And hey, here’s a random thought to leave you with—what if Lisa decided to drop a surprise sequel to Save Me tomorrow? Like, same vibe but updated for 2023. Would we even be ready for that? Something tells me she’d crush it either way.
