Lithium Milkshake - Useless

sannhartmann

Review by Sann Hartmann

Album Review: Useless by Lithium Milkshake (1993) Alright, let’s talk about Useless by Lithium Milkshake. This punk rock gem from 1993 hits hard and doesn’t apologize for it. Released under Shiva Records, this album feels like a raw punch to the gut—in the best way possible. It’s messy, loud, and unapologetically real, just like punk should be. First off, can we take a moment for "Shovedhead"? That track sticks with you. Like, it burrows into your brain and refuses to leave. The basslines from Hans Stahl are sludgy but sharp, grinding against Justin Martin’s gritty vocals and guitar riffs that sound like they were ripped straight out of a garage jam session. There’s something about how pissed-off yet catchy it is—it’s like hearing someone scream their frustrations into a microphone while simultaneously daring you to dance. I mean, damn. Every time I hear those opening chords, I’m ready to smash stuff or start a mosh pit in my living room. Then there’s the title track, “Useless.” Man, this one cuts deep. Lyrically, it’s got that self-loathing vibe that somehow makes you feel less alone. You know? Like, yeah, life sucks sometimes, but at least someone else gets it. Mark Pino’s drumming here is relentless—it drives the whole thing forward like a runaway train. And when the chorus kicks in… forget it. It’s one of those moments where you’re either screaming along at the top of your lungs or quietly nodding because, yeah, that’s exactly how you feel right now. The production isn’t perfect—hell, it’s far from polished—but that’s part of its charm. Co-producer Adam Mackintosh and engineer Don Hunter kept things raw, letting the band’s energy shine through without overthinking it. Plus, shoutout to Bill Lightner for mastering; he managed to make everything sound cohesive without losing that DIY edge. And props to whoever came up with the design concept (Waffle? Seriously, what a name)—it fits the chaotic vibe perfectly. Looking back, Useless feels like a snapshot of early '90s punk before it got all commercialized. It’s not trying to impress anyone; it just exists, loud and unfiltered. Listening to it today, it reminds me why I fell in love with punk in the first place. Here’s the weird thing though—if Lithium Milkshake had dropped this album today, would anyone even notice? Or would it get lost in the endless scroll of playlists and algorithms? Either way, I’m glad I stumbled across it. Sometimes useless things turn out to be the most meaningful. Fucked up, huh?

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Artist: Lithium Milkshake
Album: Useless

Table of Contents

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Filename: lithium-milkshake-useless.zip
  • MP3 size: 14.2 mb
  • FLAC size: 81.4 mb

Tracks

TrackDurationPreview
Useless4:57
Shovedhead6:36

Images

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Catalog Numbers

237-1

Labels

Shiva Records

Listen online

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Formats

  • Vinyl
  • 7"
  • 33 ⅓ RPM
  • Single
  • Blue Vinyl

Companies

RoleCompany
Recorded AtOvertone Studios
Mastered AtK Disc Mastering
Manufactured ByBill Smith Custom Records

Credits

RoleCredit
BassHans Stahl
Co-producerAdam Mackintosh , Lithium Milkshake
Design ConceptWaffle
DrumsMark Pino
EngineerDon Hunter
GuitarJustin Martin
VocalsJustin Martin
Mastered ByBill Lightner
PhotographyM. Roach , N. Tolentino

Notes

  • All songs © 1993 Lithium Milkshake
  • Special Thanks to Henry & Connie Martin, Nafisa Taghioff, Chuck Leal, Adam Mackintosh, and Caio
  • Shiva Records
  • 39350 Civic Center Drive
  • Suite 260
  • Fremont, CA 94538

Barcodes

  • Matrix / Runout (This Side): L-40910 237-1-A
  • Matrix / Runout (That Side): L-40910-X 237-1-B

Interesting fact about Album

Here’s a cool fact: The album *Useless* by Lithium Milkshake, released in 1993, was a raw burst of punk rock energy. What makes it even more interesting is the teamwork behind it. Justin Martin pulled double duty on guitar and vocals, while Mark Pino kept the beat alive on drums. The album was mastered by Bill Lightner, adding a polished edge to their gritty sound. And get this—two photographers, M. Roach and N. Tolentino, worked together to capture the vibe for the album art. It’s a piece of '90s punk history that deserves a listen!