Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73

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Review by Kirsten Wasson

Beethoven’s “Konzert Für Klavier Und Orchester Nr. 5 Es-Dur Op. 73” – A Wild Ride Through Elegance and Thunder Alright, let’s get one thing straight: Beethoven didn’t mess around when he wrote this piano concerto. The dude was basically the Elon Musk of classical music—bold, innovative, and occasionally a little hard to pin down. This recording by Bruno Leonardo Gelber, the New Philharmonia Orchestra London, and Ferdinand Leitner is like slipping into your favorite leather armchair after a long day—it feels rich, timeless, and just a tad dramatic. Now, I’ll admit, I’m not gonna sit here and pretend I listened to every single second of all three movements with laser focus (who does that anymore?). But two tracks stuck out to me like glitter on a black cat. Let’s dive in. Track 1: Satz: Allegro This opening movement hits you right in the feels—or maybe it’s more accurate to say it smacks you upside the head with its sheer audacity. It starts off all regal and poised, like someone sweeping into a ballroom wearing an embroidered cape. Then BAM! Gelber’s piano comes crashing in like, “Hey everyone, guess who’s the star of this show?” And oh boy, is it ever. His playing has this electric energy, like he’s daring the orchestra to keep up—and they do, bless their hearts. You can practically hear the violins sweating bullets trying to match his intensity. By the time you’re halfway through, you’re either grinning like an idiot or questioning all your life choices because HOW IS THIS EVEN POSSIBLE? Track 3: Satz: Rondo (Allegro) If the first track is the confident overture at the start of a fancy dinner party, this one is the chaotic dance-off that happens when someone sneaks too much wine onto the table. It’s playful, mischievous, and downright fun. Gelber seems to be having the time of his life here, tossing off runs and trills like confetti at a parade. Meanwhile, the orchestra chimes in with these punchy little interjections, like they’re cheering him on from the sidelines. There’s something so delightfully human about this movement—it reminds you that even Beethoven had a sense of humor buried under all those furrowed brows and existential crises. --- So yeah, this album isn’t perfect—it’s got moments where things feel a teensy bit stiff, especially if you’re used to modern recordings with all their glossy polish. But honestly? That’s part of its charm. Listening to Gelber and co. tackle Beethoven feels like eavesdropping on a conversation between old friends who’ve known each other for decades. Sure, there are pauses and stumbles, but damn if it isn’t real. Final thought: If Beethoven were alive today, I reckon he’d be out there dropping mixtapes and trolling people on Twitter. He had that kind of restless genius vibe going on. Anyway, give this album a spin if you want to feel both deeply cultured and slightly overwhelmed by how insanely talented humans can be. Just don’t blame me if you find yourself air-conducting in your living room while your cat stares at you judgmentally.

Table of Contents

Download

Filename: ludwig-van-beethoven-bruno-leonardo-gelber-new-philharmonia.zip
  • MP3 size: 21.2 mb
  • FLAC size: 207.6 mb

Tracks

TrackDurationPreview
1. Satz: Allegro
3. Satz: Rondo (Allegro)
2. Satz: Adagio Un Poco Mosso
Konzert Für Klavier Und Orchester Nr. 5 Es-Dur Op. 73

Images

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Catalog Numbers

1C 047-10 452

Labels

EMI Electrola

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Formats

  • Vinyl
  • LP
  • Album
  • Stereo

Credits

RoleCredit
Composed ByLudwig van Beethoven
ConductorFerdinand Leitner
OrchestraNew Philharmonia Orchestra London
PianoBruno Leonardo Gelber

Notes

  • Part of a series called "Festival der Individualisten" (Festival of Individualists) - subtitled "Preisgekrönte Schallplattenaufnahmen" (Awarded vinyl recordings)
  • Made in Germany
  • Part of the matrix code number has been scratched out on both sides.

Barcodes

  • Matrix / Runout (Side A, stamped): 10452-A-3
  • Matrix / Runout (Side B, stamped): 10452-B-2

About Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner

descargar álbum Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73baixar álbum Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73télécharger l'album Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73ladda ner album Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73lataa albumi Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73last ned album Ludwig van Beethoven, Bruno Leonardo Gelber, New Philharmonia Orchestra London, Ferdinand Leitner - Konzert Für Klavier Und Orchester Nr 5 Es Dur Op 73
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria. A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music. Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph. Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.

Real Name

    • Ludwig van Beethoven

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Interesting fact about Album

Here’s something cool: Beethoven’s *Konzert Für Klavier Und Orchester Nr. 5 Es-Dur Op. 73*, also known as the "Emperor Concerto," is often called one of the most powerful piano concertos ever written. It’s not just a piece of music—it’s a journey. The album you mentioned features Bruno Leonardo Gelber on piano, who brings this masterpiece to life with incredible skill. What’s wild is that Beethoven composed it while going deaf. Imagine creating such grand, intricate music without fully hearing it yourself. That’s some next-level genius right there.